In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.
Through letters, diaries and personal testimonies, an account of the complexity and variety of experiences of LGBT Italians during the Fascist dictatorship of Benito Mussolini (1922-43); intimate words that contrast with the lyrics of popular songs and the propaganda of the time, obsessed with extolling the myths of virility, femininity and motherhood and constrained by sexual repression.
By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance floors still needed new records and faster rhythms. Built on synthesizer sounds, the hi-nrg (high energy) style swept the gay clubs before hitting the charts during the eighties.
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
After the Stonewall riots and at the height of the gay liberation movement in America, an entire generation were busy celebrating their newfound emancipation, unaware of an impending epidemic. A disease that seemed determined to wipe out an entire generation of gay men, was largely ignored by politicians and the mainstream media. Gaetan Dugas was a French-Canadian flight attendant, who offered to help early scientific research into the origins of AIDS. An unfortunate series of events followed and he would be vilified as Patient Zero, the man who gave us AIDS.
In 1949, Alice Mitchell works as a prostitute on the street. After her situation worsens, she unsuccessfully attempts to reconcile with her estranged family over her homosexuality. She grows infatuated the daughter of a Christian household, Annabel. But she ultimately decides to give up the relationship in order to make peace with her parents.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.
Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di Mare, presents a uniquely engaging portrait of family, community and gender roles in a 19th century Italian village.
A recording of a play about the intangible impacts AIDS has on a community. This is a moving, beautifully photographed combination of theater and documentary that captures the incredible excitement of live theater and intensifies the power of the play's message.
With an experimental treatment looming to cure her aggressive cancer, Jamie ventures to the lake where her and her girlfriend, Grace, fell in love, fearful it will be the last time she ever sees it.