Para Onde Vão As Mulheres?

A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

After the latest Israeli aggression on the Gaza Strip, once the bombings cease, the reality of the conflict disappears from the media. The documentary is a trip to Gaza, where through various characters we know the violation of human rights they suffer daily and the post-war blockade and situation that the Palestinian population is trying to survive in the Gaza Strip. A journey through their cities, their people and also, somehow, their history under the occupation of Israel.

Big Rig (2008) is a documentary film by Doug Pray about long-haul truck drivers. The film consists of a series of interviews with different drivers, focusing on both their personal life stories and also the life and culture of truck drivers in the United States.

Undercover in Tibet reveals the regime of terror which dominates daily life and makes freedom of expression an impossibility. Tash meets victims of arbitrary arrests, detention, torture and ‘disappearances’ and uncovers evidence of enforced sterilizations on ethnic Tibetan women. He sees for himself the impact of the enormous military and police presence in the region, the hunger and hardship being endured by many Tibetans and hears warnings of the uprising taking place across the provinces now.

Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.

Yugoslav Partisan propaganda film about the post-World War II events in Pula.

Twelve Palestinian women sit before us and talk of their life before the Diaspora, of their memories, of their lives and of their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery. Twelve resilient, determined and articulate women from disparate walks of life: lawyers, artists, housewives, activists, architects, and politicians stitch together the story of their homeland, of their dispossession, and of their unwavering determination that justice will prevail. Through their stories, the individual weaves into the collective, yet remaining distinctly personal. Twelve women, twelve life-spans, and stories from Palestine; a land whose position was fixed on the map of the world, but is now embroidered on its face.