制服美少女の連続大絶頂 4本番 全シーン顔射！！膣奥Gスポット弾丸突きにイキ乱れる3時間！！ 岬ななみ

Young Haru rescues a cat from being run over, but soon learns it's no ordinary feline; it happens to be the Prince of the Cats.

The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.

Based on the popular Internet novel, the film takes place in a school renowned for its sexual aberrations. The student body is comprised of sexually ambiguous teenagers, and the student president and vice-present flaunt their taste for S&M. Independent study and supplementary classes are done on homosexuality and transgenderism. But amidst this environment, there are some that just can't adapt.

Mitsuki and Yuya become stepsister and stepbrother because of their parents' marriage. Mitsuki can't get along with her new family and Yuya doesn't know how to approach his new stepsister. One day, Mitsuki becomes possessed by the spirit of Hiyori. Hiyori likes Yuya and believes Yuya can help her get to heaven. Hiyori places a leather chastity belt upon on Mitsuki and a plan takes place to help send Hiyori to heaven.

Michiko a high school girl had committed suicide, but she was resuscitated by an alien parasitism. While she brutally murdered men and spawned one after another, her friend Rika met Mayumi. Mayumi was told that she was parasitized by a gentle alien. They decided to fight Michiko.

Schoolgirl Kuniko is kidnapped by a middle-aged man Iwazono when she is jogging. He tells her that he had a failed marriage which leaves him a deep and everlasting scar in his mind. He kidnaps her in search of a perfect marriage and intends to lock her in the room and 'educate' her to perform perfect sex where body and soul are united.

Made entirely on Roger Wagner's HyperStudio software, Chris Marker explores set theory, using Noah's Ark as an example.

Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.

A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.

In 1964 Film Culture magazine chose Andy Warhol for its annual Independent Film award. The plan was to show some of Andy's films and have Andy come on stage and hand him the award. Andy said, no, he didn't want a public presentation.

Velvet Underground's first public appearance.