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The Life of a Gangster! I Mobster is directed by Roger Corman and adapted to screenplay by Steve Fisher from the novel written by Joseph Hilton Smyth. It stars Steve Cochran, Lita Milan, Robert Strauss, Celia Lovsky and John Brinkley. A CinemaScope production, music is by Gerald Fried and Edward L. Alperson Junior and cinematography by Floyd Crosby. Roger Corman was late in coming to the film noir/crime splinter of film making, but in 1958 he manufactured two very accomplished gangster pictures. Machine Gun Kelly starring Charles Bronson was something of a success, so it was hardly surprising to see Corman serve up another helping of gangster cinema with I Mobster. Pic charts the rise of Joe Sante (Cochran), from a boy running bets for a local hood, to being the leader of all illegal and violent operations in the city. There’s nothing remotely new here as per the genre scheme of things, it is what it is, a straight forward tale of a bad man who finds himself getting deeper in the mire the higher up the hoodlum ladder he gets. On the side of this normal trajectory is how his climb affects those closest to him, notably the two ladies of his life, Ma Sante and Teresa Porter. Come the resolution of the tale, Joe Sante is hit with the stark realisation of the life he has led. But is it too late for him? Along the way there’s some sexy sizzle by way of a show put on by burlesque queen Lili St. Cyr, while Corman even inserts a sex metaphor that’s so unsubtle that Hitchcock himself would doubtless have approved. Corman re-teams from “Kelly” with Crosby and Fried, who once again provide crisp black and white images and furious jazz strains respectively. He is well served by his cast, Cochran is too old for the role as written, but he has a magnetic presence. Milan impacts strongly as the one time honest girl turned moll in the name of love, while Lovsky as Joe’s weary mother is hugely effective in conveying a parent with a broken heart. Best of the bunch is Strauss as Black Frankie, he’s a larger than life henchman and with the writers affording the character some telling passages in the play, Strauss responds in kind. Recommended fare for genre fans after a quick fix of gangster shenanigans. 7/10
In a corrupt city, a small-time gangster and the estranged wife of a pot dealer find themselves thrown together in an escapade of love, money, drugs and danger.
Billa, a powerful outlaw with a long list of enemies, kills Rajesh, a member of his gang, after he quits the criminal life. But Rajesh's fiancee and his sister pledge to take revenge on Billa.
Mary Gray elopes to Atlantic City, NJ, but begins having second thoughts about the marriage. Then she becomes inexplicably locked in her hotel room, and a series of cops, robbers and kidnappers passes through. Desperate, Mary trusts the shifty chambermaid Clara who whisks her away to the mansion of wealthy George Blaine. There, Mary must pretend to be a lowly cook, but that seems better than sticking with the guy she was engaged to.
A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.
A country boy becomes the head of a gang through the purchase of some lucky roses from an old lady. He and a singer at the gang's nightclub try to do a good deed for the old lady when her daughter comes to visit.
An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.
A Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.
Ex-wrestler and Tennessee Sheriff Buford Pusser walks tall and carries a big stick as he tussles with county-wide corruption and moonshining thugs.
Joe Sullivan (O'Keefe) has taken the rap for Rick (Burr), who double-crosses him with a flawed prison escape plan and other means intended to get rid of him. After seducing a beautiful young case worker, Joe uses her to help him carry out his plot for vengeance, leading him to the crazed Rick who set him up.
A Los Angeles detective is sent to New York where he must solve a case involving an old Sicilian Mafia family feud.
