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Great WWII war action in France, but too much of the drama is weak RELEASED IN 1998 and directed by Steven Spielberg, "Saving Private Ryan" (SPR) is about the Normandy invasion and its immediate aftermath from June 6-16, 1944. The focus is on a Captain (Tom Hanks) and his men who are commissioned to find a paratrooper (Matt Damon) whose brothers have been killed in action. No one's supposed to say anything bad about SPR. To do so is considered sacrilege, but I have to be honest about what I like and don't like about Spielberg's popular WWII war flick. The initial beach landing (shot at Curracloe Beach, Ballinesker, Ireland) is outstanding, as is the closing half-hour battle at the crumbling village of Ramelle. In between these two great bookends are a few quality sequences, but I didn't find a lot of the drama all that engaging or convincing. The cast is notable (also including Tom Sizemore, Barry Pepper, Edward Burns, Giovanni Ribisi, Jeremy Davies, Vin Diesel, et al.), but the characters never struck me as real for the most part. I've seen the film three times and each time I was too often conscious of the fact that I was watching actors portraying WWII characters in a movie. When you see a truly great picture, by contrast, you completely forget you're watching a movie, e.g. the original "Apocalypse Now" (1979). Moreover, too many of the situations in SPR, including the dialogue, simply struck me as unreal or annoyingly treacly. Exhibit A is the moronic dog-tag sequence, which was supposed to be emotionally stirring but just made me roll my eyes. But, like I said, no one can criticize SPR and get away with it, even if the criticism is legitimate. It's like you'll be accused of being un-American or something, which is far from the case with me since I love America; I just can't stand the corrupt government & politicians, particularly the loony DemonKKKraps. In light of my criticisms, I simply don't get why so many praise SPR as "the greatest war movie ever made." Again, the opening and ending battle sequences are great but the dubious dramatics leave quite a bit to be desired. I've heard SPR hailed on the grounds that much of it was taken "verbatim from first-hand, eye-witness accounts of the real Normandy invasion." I'll take their word for it, but this isn't what I object to. I object to the contrived, sappy, questionable way Spielberg depicted the dramatics and the fact that I was unable to buy the characters as real. The aforementioned dog-tag sequence is just one example, others include the French father’s stupefying actions and the forced fight at the radar station and how it’s resolved (ooh, the Captain’s a high school teacher, whoopee). Nevertheless, there IS a lot of good in SPR that makes it worth viewing. You can’t beat the battle sequences, the cast and the convincing WWII visuals throughout. THE MOVIE RUNS 2 hours, 49 minutes and was shot in Ireland, England and France. WRITER: Robert Rodat. GRADE: C+/B-
This movie should be known for changing Historical War Dramas as we know them. It was the first to accurately depict the carnage of war, and changed the direction of this genre of movies for all time. The initial D-Day scene was fantastic. Afterwards, Tom Hanks is ordered to chose a team of his men and look for James MacGuffin Ryan from Iowa. In order to achieve this goal, Hanks takes us across the entire back drop of world war 2, all the while making us ask, is all this worth just one man? Honestly it's a must watch and is on my "Difinitive Movie List"
I watched this movie during a project at school. Saving Private Ryan was a beautiful and, above all, realistic film. The film presented in a realistic way how the war went then. Most of the film was set in Europe in 1944. The story is that American soldiers are being sent to Europe to fight against the Germans. The American boy James Francis Ryan is sent to Europe with his brothers as a soldier. After the invasion of Normandy it appears that all his other brothers have already died and he is the only one left. That is why corporal Miller is instructed to look for him and return him home. The main actors who play in the film are Tom Hanks who plays corporal Miller and Matt Damon who plays the soldier Ryan. You also have all the soldiers in the group of corporal Miller. I think the characters in the film are very well thought out because they contain characters that are very brave, but also characters who have a hard time in the war. With this they show that not every soldier was as heroic as everyone thought. The film was made on a set that I thought looked very realistic. In the background you saw the buildings that were about to collapse and the shots. I also really liked the sound that came with the film. For example, when a tank arrived, you heard that it was slowly approaching.
Recensie saving private Ryan Information about the movie Title: Saving Private Ryan Regisseur: Steven Spielberg Most important actors: Tom Hanks as Captain Miller en Matt Damon as Private Ryan Genre: War, Drama and history Setting: Normandy, France Plot: During WWII, Chief of Staff, General Marshall is informed that three of a woman's sons have been killed and that she's going to receive the notifications of their demise at the same time. And when he learns that a fourth son is still unaccounted for, the General decides to send a unit to find him and bring him back, despite being told that it's highly unlikely that he is still alive and the area that he was known to be at is very dangerous. So, the unit consisting of 8 men are sent to find him but as stated it's very dangerous and one by one, they are picked off. Will they find him and how many of them will still be alive? I saw this movie at school. I think it's a good film because, the director is very good because it seemed like you were really in it because the camera moved with it. In the quiet parts, the image was also quiet and when it became chaotic, the image was also chaotic. The characters were very realistic and felt as if they were really in a war, and for the costumes it looked very real and the same for the decor it looked like you were in war in France. I liked the movie but thought it was a bit too long, so I give it a 9/10.
I don't think I can recall any Hollywood film that depicts the atrocities of the D-Day landings as effectively as this does at the start. Indeed, watching it you wonder just how any of the Allied soldiers managed to ever survive the water let alone fight their way up a beach crowded with tank traps, mines and barbed wire - all whilst under constant machine gun fire. Steven Spielberg leaves very little to our imagination and bodies drop left, right and centre with an authenticity that John Williams scores remarkably poignantly. It's during this seemingly impossible assault that we are introduced to "Miller" (a career-best from Tom Hanks) and his squad who are tasked with taking out one of the heavily defended pill boxes. Meantime, the US Chief of Staff - General George Marshall is informed that one particular lady is about to get three telegrams in one day telling her that her sons have died. There is a fourth - "James" - and the reward for "Miller" and what's left of his group is to find this man and get him home to safety. What's also illustrated quite succinctly here is that despite the most meticulous of planning, nobody really has much of a clue who had landed where, who was alive or dead, and whether or not the master plan was working or not! This makes the new task even more difficult as the men, along with the dragooned interpreter "Upham" (Jeremy Davis) set of in search of a man they don't know with feelings that can only be described as "mixed" about the legitimacy of their mission. What now ensues is a potent story of war and of how the pressures and horrors of constant fear and weariness can corrupt the the most decent of souls. We see these men - decent men - turn into things they would never have thought themselves capable of becoming and the acting really rams that home in a characterful and visceral fashion. Brutality and savagery are not limited to the Nazis and again these images are presented to us with an honesty rather from a rose-tinted good v evil viewpoint and the dialogue has a ripeness and vivacity that rings true, too. It's not devoid of some black humour as we progress through war-torn France before a denouement that combines edge-of-the-seat drama with splendid cinematography and all of the ghastliness of conflict. The men valued each other as much as anything else, their inter-reliance and their determination to get the job done - even if they didn't really know why - is a testament to the attitudes that prevailed throughout the real fighting in Europe during WWII and this dramatisation is stunning. Big screen if you can - but it's really a must watch.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
The true story of technical troubles that scuttle the Apollo 13 lunar mission in 1970, risking the lives of astronaut Jim Lovell and his crew, with the failed journey turning into a thrilling saga of heroism. Drifting more than 200,000 miles from Earth, the astronauts work furiously with the ground crew to avert tragedy.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
The lives of Erik Lanshof and five of his closest friends take different paths when the German army invades the Netherlands in 1940: fight and resistance, fear and resignation, collaboration and high treason.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.