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After an incident at their high school, Lina Basquette and Tom Keene find themselves sent to an harsh and brutal state "reformatory" where they must deal with the nasty Noah Beery and his team of pretty cruel guards. During the course of the remainder of the film, the characters challenge their long held beliefs, whilst determining to survive this ghastly regime. This film is more notable for the fact that it is the last silent film from Cecil B. De Mille, but as far as the actual story goes, it is a very thinly spread couple of hours and though the performances are of a high standard; the production is lively and active and I particularly liked the way newspaper headline were used as inter-titles now and again, it struggles to hold the attention at times. It is quite a long watch that tends to recycle the nastiness just once too often, but the last twenty minutes bring the thing alive with a wonderfully staged conflagration that in some ways also vindicated the underlying storyline: a retribution on those who perpetrated abuse on these underprivileged people in the name of the Lord, but who were in reality, little more than horrible bullies.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Mark Sabre hires young Effie Bright to keep his snobbish, cold-hearted wife Mabel company while he goes off to war. When he returns home from the front wounded, he finds that Mabel has fired Effie, who shows up at Mark's door with her baby, having no place to go. Mark takes her in, but Mabel leaves him when the town shuns him for what they believe is going on with Mark and Effie. Matters are further complicated when Effie, driven to desperation, commits an unspeakable act that results in Mark having a nervous breakdown-and then things get worse.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
The friendship between two college students takes a dark turn after one of them witnesses the other hanging out with another student, going against his one rule that he cannot make any other friends.
