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Werewolf Castle is a medieval fantasy that strives to evoke an air of authenticity. This is a film made in the same spirit as, say, Excalibur, but on a much smaller scale — and with werewolves. This is a B-movie at best, but it deserves an A for effort. The filmmakers respect the audience too much to allow even the slightest shred of cheap CGI to creep into the film. Its Haunted Forest is all the more haunting for being an actual forest (the Brecon Beacons mountain range in south Wales), and the titular castle is, or at least was long ago, the real thing. I’ll take well-preserved ruins (and the state of the structure can even be justified within the con- text of the story) over a phony-looking computer-generated palace any day. And now the damn veggies. The werewolves are clearly People in Suits, and that’s the good news; the bad news is that they all wear identical masks, eternally frozen in the same expression, as if they are always mid growl. This must perforce confine the werewolves to the background, which has the upside of shifting the focus to the human characters — among whom I include the leader of the lycanthropes, who wisely retains his hominid appearance at all times. Werewolf Castle tells a straightforward, deceptively simple story (in 90 lean minutes). Werewolves in general symbolize the Apollonian/Dionysian dichotomy, but the filmmakers establish this duality before and beyond a literal transformation. The young hero, Thorfinn (Peter Lofsgard), leaves his younger brother to the mercy of the wolves so that he can cavort with a plump wench, whom he also abandons to her fate once the monsters attack their village. Thus, joining the “great warrior knights” Hamelin Wiltshire (Tim Cartwright), Thomas Fairhurst (Greg Draven), Osmund Blakewood (Derek Nelson) and the awesomely named Hal Skullsplitter (Jay O'Connell), is for Thorfinn the only way to redeem himself and fulfill Hal’s words: “Where once you were a coward you can now be brave, and where once people took you for a fool, new people might recognize you as a hero.” This movie is by no means perfect, but it has a lot more heart and brains than, say, the neverending, boring, and pointless The Green Knight. If one is forgiving of its rudimentary werewolves, and willing to let them take the place of dragons in an Arthurian pastiche, then there is much to enjoy at Werewolf Castle.
Stuck in the corridors of time, Godefroy de Montmirail and his faithful servant Jacquouille are projected to a time of profound political and social upheavals: the French Revolution... specifically, The Terror, time of great dangers, during which the descendants of Godefroy and Jacquouille had their castle and all their property confiscated by arrogant aristocrats, fleeing and lifes hanging by a thread.
A rare book dealer finds himself at the heart of a string of paranormal events when he is hired to find the last two copies of a text, The Nine Gates of the Kingdom of Shadows, capable of summoning the Devil.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Year three at Hogwarts means new fun and challenges as Harry learns the delicate art of approaching a Hippogriff, transforming shape-shifting Boggarts into hilarity and even turning back time. But the term also brings danger: soul-sucking Dementors hover over the school, an ally of the accursed He-Who-Cannot-Be-Named lurks within the castle walls, and fearsome wizard Sirius Black escapes Azkaban. And Harry will confront them all.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
As Lord Voldemort tightens his grip on both the Muggle and wizarding worlds, Hogwarts is no longer a safe haven. Harry suspects perils may even lie within the castle, but Dumbledore is more intent upon preparing him for the final battle fast approaching. Together they work to find the key to unlock Voldemorts defenses and to this end, Dumbledore recruits his old friend and colleague Horace Slughorn, whom he believes holds crucial information. Even as the decisive showdown looms, romance blossoms for Harry, Ron, Hermione and their classmates. Love is in the air, but danger lies ahead and Hogwarts may never be the same again.
A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
American tourists David and Jack are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. Retiring to the home of a beautiful nurse to recuperate, David soon experiences disturbing changes to his mind and body.
As the war between the vampires and the Lycans rages on, Selene, a former member of the Death Dealers (an elite vampire special forces unit that hunts werewolves), and Michael, the werewolf hybrid, work together in an effort to unlock the secrets of their respective bloodlines.