La teoría del espiralismo

Champions is a documentary in which filmmaker Helgi Piccinin follows the quests of his autistic brother Stéphane and his atypical friend Audrey. Born with an intellectual difference, Stéphane and Audrey want to prove to the world that they too can win medals. For three intense years marked by training and competitions, we follow them until the end of their ambitious dream, that of competing at the Special Olympics World Games in Dubai. Intertwining both sports odyssey and human portrait, this feel-good documentary offers an immersion into a fascinating world where athletes with an intellectual difference are at the forefront.

The film director Niko von Glasow undertakes a journey to athletes, who compete at the Paralympic Games in London 2012. He himself is a short-armed avowed hater of sport who cannot understand how anyone could take on such an odeal voluntarily. Even more since everyday life for people with a disability is most often challenging enough. He meets U.S.archer Matt Stutzman, Norwegian table tennis player Aida Dahlen, German swimmer Christiane Reppe, Greek boccia player Greg Polychronidis and a Sitting Volleyball team. Niko neither spares the athletes nor himself asking questions about life, sport and fears. With an ever growing appreciation for sport Niko attends the Paralympic Games and travels back to the ancient city of Olympia, where everything began and where boccia playing is prohibited.

A documentary about an innovative Disability Studies class at NYU Tandon School of Engineering where engineering students and adults with cerebral palsy learn to communicate, connect, and cultivate their abilities by making movies.

Do You Dream in Color? in this documentary follows four courageous blind high school students. This coming-of-age story see's the students as they strive to prove that their disability will not hold them back from achieving their dreams.

This is the face of someone the world assumes was stripped of her potential at the age of 18. But tragedy is not Mallory Weggemann's reality. Suddenly paralyzed from the waist down, she was turned loose to become a Paralympic Champion and activist. As Mallory's story unfolds, we come to understand that it was because of, not in spite of, that moment that she discovered who she really is.

One hot summer, Eun-hye, a jobless who’s just knitting at home, becomes popular at ‘Munho River Market’ as an artist who draws ‘not pretty face’ pictures. When customers ask her to draw them to look pretty, she replies “But you’re already pretty”. Eun-hye takes great care for a long time to express each people’s personality and says that everyone is born pretty from the beginning. And now the number of happy faces has already reached 2,000.

A young man born with Cerebral Palsy battles a paralyzed left hand, bullies and stereotypes about the disabled to defy the odds and make it as a rock and roll guitarist. Ultimately, sharing the stage with the very band that inspired him to start (or to achieve the impossible).

This 14 minute short documentary features a panel hosted by the Disabled Student Union at University of California Berkeley called "Are Cripples Screwed." In addition to the panel, viewers are introduced to a community of disabled individuals who address misconceptions and stereotypes about sex and disability while sharing stories about their intimate relationships. Enjoy engaging with Bay area community members and comedian Josh Blue (winner of Last Comic Standing) as they share their personal experiences with sex, dating and intimacy.

Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.