Spielball der Weltpolitik – Als Elten niederländisch wurde

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

The passage of time is spellbinding in this cinematic tour de force about the Wadden Sea. A film that inhales and exhales along with the tides as it explores the fragile relationship between man and nature.

At the start of World War I, Paul Baumer is a young German patriot, eager to fight. Indoctrinated with propaganda at school, he and his friends eagerly sign up for the army soon after graduation. But when the horrors of war soon become too much to bear, and as his friends die or become gravely wounded, Paul questions the sanity of fighting over a few hundreds yards of war-torn countryside.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

In 1938, Jewish-rights activist Emma Sachs is targeted by the Nazis. When she dies, foul play is suspected. But was it the Nazis, or was it someone else? Det. Tony Rossini investigates, along with Larry "Cash" Carter, a theatre director connected to Mrs. Sachs and her family.

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.

He was one of Germany's leading investment experts with an income of several million Euros per day. Now, he sits on one of the upper floors of an empty bank building in the middle of Frankfurt, overlooking a skyline of glass and steel. And talks. In an extended mix of a monologue and an in-depth interview, which is as frightening as it is fascinating, he shares his inside knowledge from a megalomaniac parallel world where illusions are the market's hardest currency. Marc Bauder's 'Master of the Universe' is based on meticulous research and provides us with geniune insight into the notoriously secretive and self-protective 'universe' of which our nameless protagonist experiences himself a master. Where other films on the financial meltdown have focused on the epic nature of larger-than-life business, Bauder probes the mentality that made it possible in the first place. A tense drama where psychology meets finance - two things that are more closely linked than you would like to believe.

At Hotel Astoria, the former hotspot of Leipzig, guests were served champagne and turtle soup while the Stasi listened in. Animated memories from times gone by.

How was the Second World War experienced in Rouveen, Overijssel? This Orthodox Christian village near Staphorst was self-sufficient during the war. And largely isolated from the outside world. The last eyewitnesses of the war, the children of that time, are now all very old. In the Duutsers, residents of the Overijssel village of Rouveen talk movingly openly about their war memories to fellow villager and filmmaker Geertjan Lassche. Their stories are interspersed with historical video fragments and photos from the past. This is how an honest child's view of growing up in a rural village unfolds. How did the war come to the village? Who is that stranger in the village in front of them, that German? And in what those of other strangers? When does unrest arise, and unrest in fear of hatred? What about the Jewish labor camps in the village and how did they view the Canadian liberators?

Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.