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A very bold movie for 1965 that has today become a cult classic. Like a lot of these social films they are dated, but to me that is part of what makes them often times great. If I watch a film made in 1965, I want it to reflect the time it was made, not today. "Who Killed Teddy Bear" was one of the first U.S. films to be at the head of the new, changing cinema values of the 1960's. The subject matter was difficult for mainstream audiences. Rape, incest, lesbianism, sexual addiction were just some of the topics touched on in the picture directed by Joseph Cates. A young waitress (Juliet Prowse) at a cool New York City disco is being stalked. She has been receiving threatening phone calls and is scared. The police, headed by Jan Murray, have little leads. The film argues that everyone has some kind of sexual perversion. Some people are just better at covering it up. Though not a hit at the time, it seems very influential. Martin Scorsese's "Taxi Driver" is very similar with its bleak view of a rotting New York and the freaks that roam the streets. Scorsese's version of "Cape Fear" has several shots that are familiar. I think even Quentin Tarantino borrowed heavily with his dance number between John Travolta and Uma Thurman in "Pulp Fiction." It is very reminiscent of the sexual tension between Juliet Prowse and Sal Mineo when she tries to teach him to dance. It does start out a bit rocky, but gathers steam as it goes. There are some great performances, especially from Sal Mineo and Elaine Stritch. The film is mostly lost today, but hopefully its cult status will help it come back to life on DVD and Blue-Ray soon.
There's something quite untypically erotic about the opening scenes of this film as the scantily clad "Larry" (Sal Mineo) telephones a woman and talks suggestively to her. Though not explicit by current standards, this whole film take quite an honest approach to the issues faced by "Norah" (Juliet Prowse) as she becomes more and more frustrated by this stranger who becomes more daring. She reports it to the police and they assign "Lt. Madden" (Jan Murray) to the case. It's clear quite quickly that he has some skin in the game here - but can she trust even him? When her stalker starts to bother her at work, her boss "Marian" (Elaine Stritch) tries to comfort her but will any of that stop what would appear to be the inevitable - an assault? This is quite a cleverly crafted game of sexually charged cat and mouse with the casting delivering quite enthrallingly as the story develops. Even though we always know who the pervert is, we are still not sure how the story will pan out and if he is the only man out to torment "Norah". The ending is a bit disappointing. It doesn't really do justice to the build up, but Prowse delivers her fearful character well and Mineo imbues his predatory persona with a sort of boyish vulnerability that can be quite disturbing to watch at times. It's quite a potent ninety minutes of cinema that I think was well ahead of it's time.
Bernie works at a Las Vegas casino, where he uses his innate ability to bring about misfortune in those around him to jinx gamblers into losing. His imposing boss, Shelly Kaplow, is happy with the arrangement. But Bernie finds unexpected happiness when he begins dating attractive waitress Natalie Belisario.
A hacker who is spying on a pretty neighbour messes up his assignment to break into Swiss bank accounts for Russian mobsters.
Jason Kemp, a recently paralyzed architect, lives in a high-tech apartment filled with assistive technology. As a quadriplegic confined to his home, he passes the long hours by spying on his neighbors from his apartment window. His innocent pastime takes a deadly turn when he believes he witnesses a murder. Determined to uncover the truth, Jason continues to dig deeper - eventually finding himself locked in a deadly game of cat and mouse.
In a flooded future London, Detective Harley Stone hunts a serial killer who murdered his partner and has haunted him ever since — but he soon discovers what he is hunting might not be human.
Sebastian and Paul are two bored boys about 16 years of age. They drink alcohol, steal - and attend a private school. They can't find a sense of meaning in their present adolescent existence. They abduct Sonja and lock her in an old, abandoned factory building. But what shall they do with her? Disorientation, fear, desire and also love are changing into cruel aggression.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered - a crime she had described in her latest story.
Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.
When Victor attempts to seduce Elena, all he gets for his trouble is a one-way, six-year ticket to prison, where he concentrates on strengthening his mind, his body... and his desire for vengeance on the man who put him there. After his release and still madly in love with her, Victor will stop at nothing to win her over even if means revenge, for Elena has married David, the cop who sent him to prison!
After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings - and quickly discovers that he is in over his head.
When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.