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Casualty - (Jan 18th)
Tonight - (Jan 18th)
Dateline - (Jan 18th)
Mysteries Unearthed with Danny Trejo - (Jan 18th)
The Chase - (Jan 18th)
The UnBelievable with Dan Aykroyd - (Jan 18th)
The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Unsolved Mysteries - (Oct 2nd)
A very bold movie for 1965 that has today become a cult classic. Like a lot of these social films they are dated, but to me that is part of what makes them often times great. If I watch a film made in 1965, I want it to reflect the time it was made, not today. "Who Killed Teddy Bear" was one of the first U.S. films to be at the head of the new, changing cinema values of the 1960's. The subject matter was difficult for mainstream audiences. Rape, incest, lesbianism, sexual addiction were just some of the topics touched on in the picture directed by Joseph Cates. A young waitress (Juliet Prowse) at a cool New York City disco is being stalked. She has been receiving threatening phone calls and is scared. The police, headed by Jan Murray, have little leads. The film argues that everyone has some kind of sexual perversion. Some people are just better at covering it up. Though not a hit at the time, it seems very influential. Martin Scorsese's "Taxi Driver" is very similar with its bleak view of a rotting New York and the freaks that roam the streets. Scorsese's version of "Cape Fear" has several shots that are familiar. I think even Quentin Tarantino borrowed heavily with his dance number between John Travolta and Uma Thurman in "Pulp Fiction." It is very reminiscent of the sexual tension between Juliet Prowse and Sal Mineo when she tries to teach him to dance. It does start out a bit rocky, but gathers steam as it goes. There are some great performances, especially from Sal Mineo and Elaine Stritch. The film is mostly lost today, but hopefully its cult status will help it come back to life on DVD and Blue-Ray soon.
There's something quite untypically erotic about the opening scenes of this film as the scantily clad "Larry" (Sal Mineo) telephones a woman and talks suggestively to her. Though not explicit by current standards, this whole film take quite an honest approach to the issues faced by "Norah" (Juliet Prowse) as she becomes more and more frustrated by this stranger who becomes more daring. She reports it to the police and they assign "Lt. Madden" (Jan Murray) to the case. It's clear quite quickly that he has some skin in the game here - but can she trust even him? When her stalker starts to bother her at work, her boss "Marian" (Elaine Stritch) tries to comfort her but will any of that stop what would appear to be the inevitable - an assault? This is quite a cleverly crafted game of sexually charged cat and mouse with the casting delivering quite enthrallingly as the story develops. Even though we always know who the pervert is, we are still not sure how the story will pan out and if he is the only man out to torment "Norah". The ending is a bit disappointing. It doesn't really do justice to the build up, but Prowse delivers her fearful character well and Mineo imbues his predatory persona with a sort of boyish vulnerability that can be quite disturbing to watch at times. It's quite a potent ninety minutes of cinema that I think was well ahead of it's time.
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
Jeremy, a twenty-two-year-old drifter, goes on a search for the man who abused him as a child.
At a college in Rome, a professor, nicknamed "Dodo" is in a deep depression. His stunningly beautiful wife has just left him for another man. Dodo wants her back very badly and has erotic daydreams about her. A beautiful young student in his class asks him for a ride home and seduces the lucky man, but still he wonders about his wife and her lover.
Harry is a 23-year-old former boy band idol who is watching his younger brother Max, 16, follow in his footsteps. Harry has detoured on his way to a Japanese concert tour to escort Max on a long-promised camping adventure. Their trip begins on a note of camaraderie but quickly turns serious as old wounds resurface, forcing them to come to terms with their dysfunctional past-Harry's drinking problems, his disconnection from the family, and, most of all, his relationship with Max and the emotional dependency that keeps them from moving into adulthood.
Eight months after the death of his wife, Frank Goode looks forward to a reunion with his four adult children. When all of them cancel their visits at the last minute, Frank, against the advice of his doctor, sets out on a road trip to reconnect with his offspring. As he visits each one in turn, Frank finds that his children's lives are not quite as picture-perfect as they've made them out to be.
A young woman is trained by a martial arts specialist to become a professional assassin.
When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, young rookie Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.
After Police Captain Dan McLaren becomes police commissioner, former detective Johnny Blake publicly punches him, convincing rackets boss Al Kruger that Blake is sincere in his effort to join the mob. "Bugs" Fenner, meanwhile, is certain that Blake is a police agent.
Tom, now in his 40s, begins to write the memoirs of his 1960s childhood, as the little boy whose mother Rose was a glamorous Shanghai nightclub singer. When Rose meets Aussie sailor Bill, they are quickly married, and she packs up Tom and his older sister May to head for Melbourne. The marriage just as quickly breaks up and Rose moves with the kids to Sydney. After a succession of male friends and little success, in 1971 Rose moves back to Melbourne, in an uncomfortable arrangement living again with Bill – and his mother. With Bill called away to sea, Rose takes up with young Chinese cook Joe, but despair and conflicts over May's relationship with Joe tear the family further apart. Little Tom is deeply hurt, but May's ongoing conflict with her mother takes a respite when Rose tells her daughter about her traumatic teenage years.
Jeanne, a receptionist at a travel agency, is looking for the love of her life. She thinks she has finally found it with Olivier. However, Olivier reveals he has AIDS and disappears from her life after her profession of love and confession of infidelity.
14-year old Erik gets sent to live with his older brother, Henry, during the summer as his mother is dying in cancer. Henry starts dating Ewa, who is married to Berra. A few days after Ewa shows up battered and bruised from an altercation with Berra, he is found dead on a nearby parking lot.
