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Isn’t it amazing how failures can often lead to unexpected successes? Those missteps frequently have a way of opening meaningful doors, even if it doesn’t seem that way at the time they occur. But how readily are we aware that such developments can occur? Such is the whirlwind experience of Alejandro Martinez (Julio Torres), a young, idealistic, inventive Salvadoran toy designer who emigrates to New York in search of a job in an incubator program at a major American toy manufacturer. But, to apply for the position, he must be present stateside, which means he needs a work visa to reside here long enough to make his pitch. That possibility seems to evaporate, though, when he loses his job as a client curator at a cryogenics company. Fortunately, however, as he’s making his exit from the workplace, he meets and befriends a flamboyant art critic (Tilda Swinton) upset with the way the cryogenics company is handling the care of her late partner (RZA), an eccentric artist known for specializing in paintings of eggs. To raise funds for the painter’s curation, she wants to stage an exhibition of his work but needs help to pull it off, which is where Alejandro enters the picture. He volunteers to assist with staging the show in exchange for her sponsorship so that he can obtain a new work visa to stay in the US. It sounds like a simple, straightforward arrangement, but, as he soon finds out, that’s far from the case, as he launches into a wild and crazy odyssey filled with any number of outlandish personal and professional incidents, many of them ludicrous and comical yet surprisingly beneficial. This debut feature from actor-writer-director Torres tells an unconventional yet hilarious and insightful story of commitment, empowerment and imagination filled with colorful characters and enigmatic situations. Its clever production design, imaginative cinematography, and inclusion of surreal and symbolic sequences makes for an edgy yet entertaining watch, an impressive first offering from the former Saturday Night Live staff writer. While there are some instances where the narrative tends to become a little too outrageously self-satisfied for its own good, the bulk of the film stays on course and features an array of fine performances from Torres, Swinton and a host of supporting players. “Problemista” was originally scheduled for release in summer 2023 but was delayed by the SAG-AFTRA strike. However, as this delightfully quirky offering shows, the wait was indeed worth it, as it often is for those who encounter seemingly endless snafus on the way to achieving their greatness. If you’re fond of the irreverent, as I am, you’ll get a kick out of this one, an engaging tale that both enlightens and entertains while giving your mind a lot to play with.
I was drawn in to this one because it features Tilda Swinton, one of my favorite actresses. She is, in this movie too, an absolute power house of talent, and the sole reason to keep watching. Unfortunately, the movie is entirely unwatchable, as each and every main character, and quite a few of the secondary ones as well, is insufferable. This may be on purpose, I suspect it is, but I really need at least for either the protagonist to be likable, or in the case of an antihero, for the supporting cast to be likable. Here, I get neither. Now, there are clear overtones drawing a message about immigrants coming to the United States for work. The message being that they're incompetent infantile unlikable narcissistic habitual liars without a conscience. Personally, I don't subscribe to this simplistic and clearly incorrect view. Surely, not all immigrants are like this, I'd wager a dwindling number would be. But I don't really fault the movie for offering this view, and it's not why I score it this low. I watch movies presenting viewpoints to which I don't subscribe all the time, and if they do it well and in a professional and engaging manner, I'll like the movie all the same. One example of this is "Men," which presents a terribly nihilistic and misandrist theme, but it does so masterfully, and so I must (joyfully) cheer for it all the same. This movie, however, is just awful. Its theme is hateful and its execution incompetent. I suspect the writer/director is as narcissistic and sociopathic as its characters. It has that vibe. Although I couldn't stomach finishing this atrocity, I cannot give it one star. Tilda Swinton is too wonderful for that. And therefore, two stars. Avoid.
A dethroned queen bee at a posh private high school strikes a secret deal with an unassuming new student to enact revenge on one another’s enemies.
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
A Hungarian immigrant, his friend, and his cousin go on an unpredictable adventure across America.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby.