Makun (no llores) - Dibujos en un CIE

The Stella Maris Berria is a tuna vessel destined for scrapping. However, Iñigo Mijangos and Iñigo Gutierrez, two members of the NGO Salvamento Marítimo Humanitario, have an unusual idea: to transform the fishing boat into a rescue boat to save refugees drowning in the Mediterranean Sea. That is how Aita Mari was born.

On 28 October 2015, a migrant boat left the coast of Western Turkey heading to the closest European coast – the Greek island of Lesvos. The shipwreck resulted in the death of at least 43 people, making it the deadliest incident of that period, also known as “the long summer of migration.” One of the survivors, the artist Amel Alzakout, recorded the journey and the shipwreck on a waterproof camera attached to her wrist. This footage – which also forms the basis of her subsequent film Purple Sea – provides a unique situated perspective on this tragic event at the threshold of Europe.

Indonesia, 1965: hundreds and even thousands of people are arrested without warrant. Some did come back, the others lost without trace. Svet, one of the survivors of the Indonesian dark history recounts the memory she had of her father, whom she believes to be responsible for the 1965 tragedy.

Tells a story about a blurry photo of a woman who works in the media industry in Indonesia. This movie has several perspectives. One point of view is of a woman who works in a media and the other is about the sexual minority, people who aren’t allowed to appear on television due to their sexuality.

Vena, a Catholic, lives in the Muslim-majority region Aceh. Vena wears veil in her daily life and befriends many Muslim friends. Nevertheless, how can she be herself and adapt as a minority at the same time? Family plays an important role in her life.

A powerful set of stories of “righteous persons” taking action along the U.S.-Mexico border, motivated by moral conviction and compassion. "Borderland" shows how courageous actions can lead to political mobilization and the defense of human rights in the face of hate and discrimination.

"Our Family" is a film about the time that we can't get back. I left my home along with my friends and family behind in 2017, when I was aged 15 to study in the United States. In some ways I feel like I may have not been best suited to make that decision for myself at the time, but 4 years later, I decided to take this opportunity to reflect on my departure and to reconnect with my family. Because of the COVID-19 pandemic, I haven't been able to go home to Sikkim in over 2 years. Talking to my parents over WhatsApp, I recorded two interviews with them discussing stories from the collective past of our family as well as individual ones. I was able to discover the love story my parents were a part of before I was even born, recollect the bits and pieces of my childhood that I'm beginning to forget, and process how my departure has affected my relationship with my parents and the course of our lives.

A documentary exploring sexism and patriarchy in Kosova.

a story of lives, friendship, griefs and dreams of six young men and women who are stateless.’ They hope that everyone will be treated equally as human beings.

Each year over 1.2 million wildebeest travel across the vast Serengeti plains and Kenya's Masai Mara on a 1,800 kilometer circular journey, relentlessly followed by every big African predator. Revolutionary spy cams - airborne, swimming or disguised as rocks, skulls or dung - reveal the Great Wildebeest Migration from entirely new perspectives. This 2-part series focuses on the growing-up of a calf as he takes his first steps, faces his first deadly perils and tries to cross crocodile-infested rivers. It combines natural humor with exciting drama and gripping music.