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I'll start by saying this would have been better without need, yet again to peddle "the message". I'm royally sick and tired of it and I'll bet a lot of others are, too. Okay, putting aside the woke nonsense, I can say, in most regards, this is a very watchable action film. Decent dialogue, a simple but functional back story and lots of well executed (pun intended) action. Acting is solid and there is great chemistry, between the cast. In summary, a very watchable action flick, that I would have rated even higher, if "the message" had been left on the cutting room floor.
Propaganda Piece Use any weakness your opponent may have. This is the killer way (from Sun Tzu's - The Art of War). Netflix on the other hand knows that our weakness is K Drama. So in order to get its woke message of civilization deconstruction it cunningly wraps it up as an action movie. A cynical, glossy, over-dramatic mess of an action movie that is also quite full of itself. Western movie festivals proudly endorse it. After all it has been stamped by the rainbow people and they decide what art is nowadays. A weak K drama copy art-house wannabe stunk up by Woke town politics and weak action scenes which I will soon forget. But not forgive. A pity with all the talented cast. I will not watch Netflix productions again. Hope they go under like Bud light, but I'm afraid it's too late for the US and Western Europe (some westernized Asian countries included). If you don't believe me or think I'm being unfair, watch Yuri Bezmenov's lecture on societal ideological subversion techniques and stages (demoralization-destabilization-crisis-normalization) on YouTube. To bring about societal crisis and further divide the population, you need to create oppressed groups, radicalize them and give them power. Introduce ideas of "equality" and "inclusion", demonize the police and erase religion to create new cults and ideologies. Turn all values upside down. Sounds familiar ? The process of western societal destruction has almost past the point of no return. 1* out of 10
For those who have seen many South Korean action movies and series, like myself, this film is no exception. It's made the way they always made action movies. So, sit back, get comfortable and be entertained. As for "woke" whatever and "the message it brings", people who suffer due to that (whatever it is), seem to see it everywhere! This whole page is starting to look strange, because it's become a platform for people who write the exact same review for everything that appears on this page. Same "oh, woke message, their influence, bad movie or series, it's woke blah blah". I see it everywhere on this page now and it almost makes me not want to visit this page. It's not about the work, the story, the acting, the directing. And it is serious. It seems to have become all about that "idea" and "message of woke" - whatever it means. People could not care LESS about "woke" in my part of the world and in MANY others. Also, most of the time, there is NO evidence of this, it has nothing to do with the work, which makes me wonder - do they even watch? Or just "copy - paste" the same review? Now, South Korea does not suffer from this "condition" and "message"- in any case, not yet. Let's make that clear. What they make is not burdened by this "problem". So my advice to these "critics" would be this: Stop putting people off perfectly normal series and movies, by venting about something that affect you, your region of the world and seems to rule and color everything you see. It is WRONG. We're come here to discuss movies and series and not to vent our personal and political grudges. It's not fair to those who might miss out on fun and good stories, if they were to take this uninformed, malicious advice. In conclusion: People of the world, feel free to watch this movie, it's nicely paced, entertaining, with some solid acting.
A black-ops assassin is forced to confront her true identity while going after her latest mark.
A young man confesses his sexual past to an unseen phone sex operator. He reflects on his sexual identity as we follow him on a solitary excursion to a beach.
A rumor spreads through a small desert town that a girl has been raped. A respected veteran tries to stop the girl's cousin, a soldier in vacation, from taking the law into his own hands.
A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.
A hitman must prove his loyalty to his mentor and best friend, while his girlfriend wants to leave the business behind them.
Walter Lee Younger is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall.
Gul is a famous singer, married to Captain Engin, who has studied law. Engin goes to Korea during the war. One day Gul is told that he is dead. Her violinist, Cemil fancies her. One day Gul meets Engin again, yet Cemil continues molesting her. Engin takes his daughter while Gul gives becomes an alcoholic and is miserable. Engin learns about her condition and decides to go to her but in a car accident he becomes blind. Gul starts to work in their house under a false name, Seher. In the meantime she gives piano lessons to their daughter Oya. Engin regains his eyesight after a surgery. Cemil attempts to rape Oya, but Gul reaches in time, saves Oya and kills Cemil. Oya finds out that Gul is her mother and asks Engin to defend her in court. A happy future awaits all three.
Two high school boys from different social worlds experience romantic feelings for each other. Edmar, a high-performing Filipino student, and Pili, a Native Hawaiian student-athlete, learn that navigating self-growth and teenage love in Hawaiʻi is as complicated as their understanding and love for Hawaiʻi and it’s ever-changing cultural landscape.
Thirsty one night stands, confused straight boys, rooftop confessions and a ménage-à-trois that explodes with hilarious results - it's all just part of the package in this latest offering of spirited story-telling from our Gallic friends. The short films are: Discreet [Scred] (2017); Distinguished Feelings [Sentiments distingués] (2019); Rue des Roses (2012); First Love [Premier amour] (2021); The Edge [4 fromages] (2019); Without Transition [Sans transition] (2021); Fragile [Babtou fragile] (2021).
With an experimental treatment looming to cure her aggressive cancer, Jamie ventures to the lake where her and her girlfriend, Grace, fell in love, fearful it will be the last time she ever sees it.