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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
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The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
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Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
I'll start by saying this would have been better without need, yet again to peddle "the message". I'm royally sick and tired of it and I'll bet a lot of others are, too. Okay, putting aside the woke nonsense, I can say, in most regards, this is a very watchable action film. Decent dialogue, a simple but functional back story and lots of well executed (pun intended) action. Acting is solid and there is great chemistry, between the cast. In summary, a very watchable action flick, that I would have rated even higher, if "the message" had been left on the cutting room floor.
Propaganda Piece Use any weakness your opponent may have. This is the killer way (from Sun Tzu's - The Art of War). Netflix on the other hand knows that our weakness is K Drama. So in order to get its woke message of civilization deconstruction it cunningly wraps it up as an action movie. A cynical, glossy, over-dramatic mess of an action movie that is also quite full of itself. Western movie festivals proudly endorse it. After all it has been stamped by the rainbow people and they decide what art is nowadays. A weak K drama copy art-house wannabe stunk up by Woke town politics and weak action scenes which I will soon forget. But not forgive. A pity with all the talented cast. I will not watch Netflix productions again. Hope they go under like Bud light, but I'm afraid it's too late for the US and Western Europe (some westernized Asian countries included). If you don't believe me or think I'm being unfair, watch Yuri Bezmenov's lecture on societal ideological subversion techniques and stages (demoralization-destabilization-crisis-normalization) on YouTube. To bring about societal crisis and further divide the population, you need to create oppressed groups, radicalize them and give them power. Introduce ideas of "equality" and "inclusion", demonize the police and erase religion to create new cults and ideologies. Turn all values upside down. Sounds familiar ? The process of western societal destruction has almost past the point of no return. 1* out of 10
For those who have seen many South Korean action movies and series, like myself, this film is no exception. It's made the way they always made action movies. So, sit back, get comfortable and be entertained. As for "woke" whatever and "the message it brings", people who suffer due to that (whatever it is), seem to see it everywhere! This whole page is starting to look strange, because it's become a platform for people who write the exact same review for everything that appears on this page. Same "oh, woke message, their influence, bad movie or series, it's woke blah blah". I see it everywhere on this page now and it almost makes me not want to visit this page. It's not about the work, the story, the acting, the directing. And it is serious. It seems to have become all about that "idea" and "message of woke" - whatever it means. People could not care LESS about "woke" in my part of the world and in MANY others. Also, most of the time, there is NO evidence of this, it has nothing to do with the work, which makes me wonder - do they even watch? Or just "copy - paste" the same review? Now, South Korea does not suffer from this "condition" and "message"- in any case, not yet. Let's make that clear. What they make is not burdened by this "problem". So my advice to these "critics" would be this: Stop putting people off perfectly normal series and movies, by venting about something that affect you, your region of the world and seems to rule and color everything you see. It is WRONG. We're come here to discuss movies and series and not to vent our personal and political grudges. It's not fair to those who might miss out on fun and good stories, if they were to take this uninformed, malicious advice. In conclusion: People of the world, feel free to watch this movie, it's nicely paced, entertaining, with some solid acting.
An awkward encounter at work carries two unassuming co-workers into a dreamy holiday weekend. A weekend that inevitably falls to pieces when Andy introduces Katherine to some friends. A surreal portrait of love and how pathetic it renders us.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.
In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.
Three young friends trying to break into the entertainment business inadvertently anger a mob boss, setting in motion a chain of events that results in their being hunted by every thug and killer in town.
Five different criminals face imminent death after botching a job quite badly.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.