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MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2022-edition "The Stranger is inspired by true events, but the conventionalisms surrounding this type of adaptation make the viewing predictable, too slow, and with an almost nonexistent replay value. Thomas M. Wright manages to insert some visually interesting shots, relying mainly on the subtle, intimate performances of Joel Edgerton and Sean Harris to carry the story. However, the so-called mystery lacks actual intrigue and anything emotional to connect with the viewers, creating doubt as to whether the film would have benefited from a greater level of creativity without detracting from the realistic atmosphere employed by the filmmaker. Recommended only for fans of the subgenre." Rating: C
In the wake of a career-ending scandal, disgraced lawyer Lawson Russell moves to Key West, where he befriends aging novelist Christopher Marlowe. After letting Russell borrow his latest manuscript, Marlowe dies of a heart attack. When Russell publishes the dead man's manuscript under his own name, he makes the best-seller list—and unwittingly becomes the prime suspect in the investigation of a grisly multiple homicide.
There are three kinds of swindler. One, called the "WHITE SWINDLER", finds a mark and steals money. The "RED SWINDLER" preys on the other sex and steals a mark's body and soul. Then there is the "BLACK SWINDLER". Ignoring ordinary marks, targeting only the white and red swindlers, and preying on their flesh grown fat and corrupt with the money they have stolen, he is the worst of them all. There is a boy who once became a victim of a swindler and lost his family. Later, he turns into the most hideous "black swindler" to deceive only other swindlers. His name is Kurosaki. This time, he is requested by Reiko, whose daughter is sick, to hunt down a swindler named Ishigaki, who has defrauded her of money. But, behind Ishigaki, there is actually a bigger swindle which has even destabilized the Japanese economy…
A Los Angeles journalist befriends a homeless Juilliard-trained musician, while looking for a new article for the paper.
A romantic drama that charts the lives of three women from different backgrounds, forever changed when they emigrate to New Zealand as war brides.
Teens P.J. and Goose get their thrills on BMX bikes, performing hair-raising tricks all across Sydney, Australia. Along with their new friend Judy, they discover a box of walkie-talkies - and find out that a gang of criminals intends to use them to monitor police signals during a bank robbery. When the young trio snatches the devices, it propels them on a hair-raising adventure in which their pedaling skills might just save their necks.
Hildegart is conceived and educated by her mother Aurora to be the woman of the future, to become one of the most brilliant minds of Spain in the 1930s and one of the European references on female sexuality.
Shiino one day finds out that her best friend Mariko has committed suicide. After snatching Mariko's urn from her abusive father, Shiino heads to Marigaoka Cape, a place Mariko always wanted to go.
A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.
Yuri Orlov is a globetrotting arms dealer and, through some of the deadliest war zones, he struggles to stay one step ahead of a relentless Interpol agent, his business rivals and even some of his customers who include many of the world's most notorious dictators. Finally, he must also face his own conscience.
Sam is a shy, mysterious and inconspicuous teenage girl, who falls in love with Troy, leader of an ultraviolent teenage gang, who does not feel physical pain, nor knows what love is. Together, against everyone and everything, they will face a series of obstacles trying to separate them, meanwhile figuring out what love and pain are. Debuting at Curtas, French filmmaker Elsa Rysto presents a love story mediated by ultraviolence, in a modern variation on the classic story of Bonnie and Clyde – or of the more contemporary Mickey and Mallory from “Natural Born Killers”. “Love Hurts” is a simple yet sensitive narrative about the so-called growing pains.