Abraham Obama

Madrid 24/7 is 100% trains and 100% action. Wholesale Cars on both sides of the train, rolled whole cars, backjumps and obviously a lot of trouble with the long arm of the law. The film is set mainly in Madrid's subway but begins with an InterRail trip to Stockholm, Berlin, Prague, Hamburg, Munich and more!

Director Deborah Faraone Mennella followed street artist Judith de Leeuw (JDL) for one year, during her life in the Netherlands and during the creation process 'Love is Stronger Than Death' in the Italian city of Taranto. You can see in a spectacular way how the 30-meter mural was created. common social issues are leading in JDL's designs. This time, however, it is the death of her father that plays a central role.

"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'

The documentary, made by the students of RUFA documentary course, followed Alice Pasquini for many months, resuming her pictorial interventions, interviewing friends and family, collecting archival material and participating in meetings for the realization of the book. The flow of images is a sort of specific itinerary that Alice Pasquini takes when she decides to give form and substance to what her mind imagines.

An unnamed graffiti artist produces a new piece in the biting cold of Minneapolis. Despite the illegality of his medium and the harshness of his environment, the film captures why the artist chooses to create on his own terms.

This film is a portrait of New York in the 1980s by famed photographer Steven Siegel, including footage of the subways, the parks, Times Square and other neighborhoods. The film is narrated by teenagers of that era.

Using kids' own arguments (both pros and cons), film presents overwhelming evidence that vandalism is dumb. Shows that graffiti-type vandalism costs over $20,000,000 a year.

Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?