The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
Gemini Man 2025 - Movies (Mar 26th)
Flight Risk 2025 - Movies (Mar 26th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
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The 11th Hour with Stephanie Ruhle - (Mar 27th)
After Midnight - (Mar 27th)
Tribunal Justice - (Mar 27th)
Gogglebox Australia - (Mar 27th)
Watch What Happens Live with Andy Cohen - (Mar 27th)
Chicago P.D. - (Mar 27th)
The One Show - (Mar 27th)
Vince - (Mar 27th)
All Creatures Great and Small - (Mar 27th)
Dateline- Secrets Uncovered - (Mar 27th)
Beyond the Gates - (Mar 27th)
Bosch- Legacy - (Mar 27th)
House of David - (Mar 27th)
Battle of Cualicán- Heirs of the Cartel - (Mar 27th)
Pawn Stars - (Mar 27th)
Love Is Blind- Sweden - (Mar 27th)
The Masked Singer France - (Mar 27th)
The Challenge- All Stars - (Mar 27th)
The Wheel of Time - (Mar 27th)
Reacher - (Mar 27th)
I am disgusted about the mockery being made of the BLM movement and other equalities. The film is terrible and just because it is a black person belitteling the movement it seems to be allowed? It is possibly the worst film I have seem ain a long while. Basically a really bad reharsh of Big Momma's house but devoid of any type of comedy. Every second seems like the actors are trying to impersonate Martin Lawrence/ Eddie Murphy style with no success whatsoever. The intro starts with a man setting himself on fire with a barbecue in some sort of 19060's Marx brothers parody, and the outdated "'jokes' just keep going from there. The film even goes as far as making racist Alabama Jokes about incest. Which seem pathetic and archaic the the modern society of BLM. Almost goading places with inequatity such as Alabama to be more racist. A direct joke of BLM - Police relations and even a satirical parody of the Rosa Parks incident that launched equal rights movements. There is ever the introduction of Brendan O'Carroll for what seems to be the sole purpose of making outdated 'n*gger' and cotton picking jokes. The discrimination doesn't stop there with overtones of homophobia running throughout the beginning; a gay relationship getting no sympathy in comparison with the end of the straight relationship, seeming to question its equality or even its validity at all when the charachters return to refering to each other as 'friends' after the breakup. The film obviously tries to highlight modern sociological issues but constant overconcentration of skin colour and race seems more to mock the whole matter with the goal being to increase ineqaulity not diminish it. This film shouldn't have even been made this of the millenium. A definate push back to equality.
The farmhouse of a rural family is declared unfit for habitation. While part of the family fights to save the space their ancestors built, the younger ones imagine where they could go.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.
Love is a business at Family Romance, a company that rents human stand-ins for any occasion. Founder Yuichi Ishii helps make his clients’ dreams come true. But when the mother of 12-year-old Mahiro hires Ishii to impersonate her missing father, the line between acting and reality threatens to blur.
After saving a Black Panther from some racist cops, a black male prostitute goes on the run from "the man" with the help of the ghetto community and some disillusioned Hells Angels.
Living with intrusive thoughts is very uncomfortable. But Yosa had to face it all his life. How does he end his thoughts?
Molly is a ten-year-old girl who believes that if she learns to play the fiddle like her dad and wins the All-Ireland Music championship, her father will wake from his coma. Still in a coma, her dad is moved to a rehab centre, where Molly befriends Malachy, a grumpy old man who plays the fiddle beautifully and is told he has magic in his hands. They connect as she coaxes him to teach her to play and together they go in search of the magic that only music can bring.
Sonia and Arturo live in a house that appears safe but is too large and silent. One night, three armed men violently break into the couple's property. Arturo manages to escape and capture the youngest and most inexperienced of the thieves, deciding to kidnap him and discipline him in the basement of the house. Gradually, the anger dissipates, and strange familial ties emerge that Arturo and Sonia believed were long gone. "Salvajes" is a violent portrayal of a divided society, in an unequal social fabric where the boundaries between victim and perpetrator become blurred.
11-year-old Akeelah Anderson has a way with words. After winning her schoolwide spelling bee, she decides to enter the competition, despite her classmates' derision and the antipathy of her mother Tanya. Thanks to the efforts of her teacher Dr. Larabee, she reaches the finala. As she gets to know her fellow competitors, Akeelah realizes that coming first isn't everything in life.
ADAM IS A CLASSICAL MUSIC STUDENT WHO, AFTER LIVING HIS ENTIRE LIFE UNDER THE SHADOW OF HIS FATHER, IS ABOUT TO TAKE HIS FATHER'S TITLE OF THE YOUNGEST CONCERTIST IN HIS COUNTRY. BUT A SPONTANEOUS ILLNESS THREATENS TO LEAVE HIM WITHOUT HEARING AND TOGETHER WITH HIS BEST FRIEND, LUCHO, HE MUST DECIDE BETWEEN HIS HEALTH AND HIS GOAL OF BEATING HIS FATHER. ADAM SHOULD EVALUATE HIS PRIORITIES AND UNDERSTAND THAT HIS MUSIC AND PASSION REACHES BEYOND HIS RIVALRY WITH HIS FATHER.