Soy

The work draws an abstract image of a human that has internalized the images and stories of the world of advertising. A woman is sitting in front of a camera telling a story about an experience she had. Even though she is able to describe the events in great detail, the story also seems to be unlikely or implausible.

Set in Munich's petty-bourgeois Westend, film documents life at home with former Fassbinder actor, Warhol collaborator, and horror movie director Ulli Lommel. Rather than a straight documentary portrait of this bohemian household, the camera prefers to follow the narrative impulses of the family members. Lost in serious play, the kids improvise hypnotic death scenes while their mother claims to come from a planet where everything is "ethereal and incorporeal." As parent-child relations are unscripted and re-scripted on the fly, the dilated time of a collective daydream is punctuated by the ordinary sounds of an electric toothbrush, vacuum cleaner, and piano.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.

Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.

Flowers, Animals, Grass, Sky, Loved ones, Like, Follow, Comment. View the forgotten and ruined memories that have been tainted by earworms, bad comedy and the far-right pipeline. Gaze upon the endless landscape, or gaze upon the endless thirst traps.

The district of Molenbeek-Saint-Jean in Brussels has become world-famous as a center of jihadism, but for six-year-old Aatos and his friend Amine, it is a familiar home. Here, they listen to spiders, discover black holes, and fight about what is going to steer a flying carpet. Together they search for the answers to life's big questions. But the brutality of the adult world makes itself known when terrorists detonate a bomb in the neighborhood. Aaatos envies Amine's Muslim faith and looks for his own gods, although his classmate Flo questions him; she is strongly convinced that anyone who believes in God is completely nuts. Gods of Molenbeek is a wonderful portrayal of childhood friendship, inquiry and the creation of meaning in a chaotic time.

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.

"Tungkung Langit" is a title that refers to the god in the Panay epic whose tears become rain, but in the short film, two young children do not weep but offer an intimate perspective into their lives as they speak to each other about their experience during a typhoon that devastated their city and left them orphans. Speaking to each other of their trauma through play and in the smallest of whispers before falling asleep becomes “a means by which these orphans heal”; the film reinforces and envisions this healing.