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The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
Gold Rush - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
Cruising with Susan Calman - (Jan 17th)
The Traitors- Uncloaked - (Jan 17th)
Travel Man- 48 Hours in... - (Jan 17th)
The Bold and the Beautiful - (Jan 17th)
The Traitors - (Jan 17th)
Love During Lockup - (Jan 17th)
Love Island- All Stars - (Jan 17th)
For the Love of DILFs - (Jan 17th)
8 Out of 10 Cats Does Countdown - (Jan 17th)
Unfrosted, directed by Jerry Seinfeld, is a mock biopic about the creation of the Pop-Tart that ultimately falls short. While there are quite a few laughs and plenty of absurdity, these elements aren’t enough to save the film from its shortcomings. The film is notably short on story, with a narrative that feels thin and underdeveloped. The comedy, while occasionally effective, often feels too forced and over-the-top. The film's humor is in-your-face, with jokes and gags that don’t always land. Additionally, the frequent celebrity cameos, while amusing at first, quickly become a distraction. The novelty wears off, leaving the audience to wonder if these appearances are meant to compensate for the lack of a strong story. Despite its flaws, the film does have its moments. Some of the absurd humor does hit the mark, providing genuine laughs. The performances are generally solid, with the cast embracing the film’s outlandish premise with enthusiasm. This commitment helps to elevate some of the weaker material. Jerry Seinfeld’s directorial efforts show promise, despite the film’s shortcomings. His unique comedic voice is evident throughout, and his willingness to experiment with the mockumentary format is commendable. In conclusion, Unfrosted is an ambitious but ultimately flawed film. While it delivers some laughs and features moments of absurdity that fans of Seinfeld’s humor will appreciate, it falls short in terms of story and overall cohesion. The film’s heavy reliance on celebrity cameos and over-the-top comedy often feels more like a crutch than a strength. However, Jerry Seinfeld's directorial debut shows potential, and it would be interesting to see him tackle another project with a more robust script and narrative structure. For now, Unfrosted serves as a light, if not entirely satisfying, diversion.
At all points of this show are jokes. There is something wrong with the jokes. They simmer as a smile under the surface. A Jerry Seinfeld smirk at a recognizably funny concept. I like the universe they built. It's fun. Hugh Grant is fun. Fatties are fun. Jerry is the funniest man in the history of funnymen. It is a clever joke to worship the pop tart. It is a clever call out to the Nike movies. To lionize Kellogg and Post is a clever joke. Though all their criticisms are cutting at the content of the food ruining America. Everyone knows sugar is bad...they also show torture in war flicks. The other criticisms are general. Nepo-babies or cuts on corporate culture. It is such a fucking advertisement. Not a clever joke. When making a war film, to use the military's gear you have to clear their representation in your story. Feels like a war film. Oooh man but, like in reality, the pop tart is not such an achievement...hilarious! But it did culminate all our knowledge in food science so it really was an achievement. It is just legit product worship! That's a cleverer joke. You COULD laugh if you let down all defences toward comedy. Pre-Encino Man you. Childlike, innocent. Now look at the screen. You see it? It's funny. This may be Buddha's favourite film.
"Unfrosted" is a movie that takes an unexpected and comical approach by centering its storyline around the Post and Kellogg's brand cereals. Initially surprising and cheesy at times, the film manages to entertain with its amusing premise and playful depiction of the battle between various cereal brands leading to the creation of Pop-Tarts and Toaster Strudel. Despite its unconventional subject matter, the movie succeeds in engaging viewers with its humor and creativity. The characters and actors involved in the film are surprisingly effective, drawing audiences into the historical aspect of cereal production and brand rivalry. While one might not expect to be so engrossed in a film about cereal brands, "Unfrosted" proves to be a funny and entertaining experience that offers a unique perspective on the creative side of the cereal industry. The movie's ability to blend humor and historical context has garnered it numerous award nominations, highlighting its success in presenting a fresh and imaginative take on a seemingly mundane topic.
Featuring Paula Poundstone. With Anthony Griffith, Doug Kehoe, Marty Putz, Jeff Stilson
Two men fight to win the heart of a charming girl. One is much stronger, but it seems that only physical strength means nothing.
The classic conflict between the traditional Jewish way of life, and the modern life of the 20th century comes alive in this story of a young cantor who brings home a future bride, when he has already been betrothed by his parents to someone else!
Kvarkvare is wrongly accused of activities against the Tsar and is imprisoned, but the Socialist Revolution makes him an imposter "hero". Blinded with the authority, he goes to far in his avenge against the whole village.
A happy-go-lucky teacher finds himself falling in love with a British woman who is teaching English at the same school. He tries to woo her, but given that his grandfather was a freedom fighter, can he convince his father of the match?
Showtime's "In the 20th Century" is a millennium-related series of feature-length documentaries in which famous directors take on major subjects of their choosing. In the third of the six films, "Yesterday's Tomorrows," filmmaker Barry Levinson delves into what we, as Americans, thought the future would be as we traveled through the 20th century. Houses and cars of the future, the promise of technology, and the other hopes and dreams of the early part of the century gave way to the fears and anxieties brought about by the atomic age and the Hollywood disaster films that followed. Soon we wondered if we could control technology, or if it would control us. This film is by turns light-hearted and thoughtful, and rare historical and archival film, produced by government and industry, alternates with on-screen interviews with people as diverse as consumer advocate Ralph Nader, cartoonist Matt Groening, futurist Alvin Toffler, comedienne Phyllis Diller, and actor Martin Mull.
SEGPAs are fired from their establishment. To their surprise, they joined the prestigious Franklin D. Roosevelt. The Principal, reluctant to see his school's reputation deteriorate, imagines a ploy to fire SEGPA while retaining aid.