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This movie is about women, but as a guy I am going to write about it from from my perspective. If any men had spoken lines, I can't remember them. Men still had a role, but mostly as off-screen foils for the women. Despite all that, this is a movie with a lot more to offer viewers of both sexes than stereotypical chick-flicks like The Notebook or the majority of rom-coms. It is a story about three women in NYC coping with their own personal sets of dysfunction in a variety of tragicomic ways, with emphasis on the comic. The humor is not so over-the-top like Bridesmaids or Bachelorette, but there is plenty of raunch starting off with the opening scene in which one of the women cancels her appointment for a Brazilian wax and makes do with about 5 disposable razors instead. The three main characters have their backstories revealed in a series of quirky events that include jail, subway masturbation, really bad haircuts, plenty of drugs and alcohol, coffee house lesbians, a vibrator used as a lethal weapon and an entire showgirl kick-line falling off the stage because of one act of revenge. It culminates in an estrogen-soaked version of the brawl between buddies trope after which they all raise a glass to various universal ideals with a feminine slant. The movie is much more low budget, low-key, talky and character driven than the blockbuster comedies we've all seen or at least seen marketed. That isn't a bad thing at all, it's got a lot more verite than those and is still a fun little film. Best one-liner in the movie: "Stop fighting, I'm getting carpal tunnel."
Two displaced ex lovers navigate the lonely streets of New York City in search for a definition to describe what their relationship once was.
Sheila Levine – an innovative, bright, but painfully introverted individual – arrives in New York City to take an apartment with a partygoing roommate. There, she experiences love and heartache in equal measure.
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it's pushed aside when their mother suffering from dementia loses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
On the eve of his 25th birthday, the day he’s set to receive money from his trust fund, Rocco parties, gets drunk and loses all his money on a poker match. His dilemma: He has to produce the amount, otherwise he will lose the client he needs to defeat his father’s TV commercial production company. Meanwhile, Rocky also needs money to pay the rent, otherwise her family will be homeless. There’s only one way for Rocco to be able to get money from his trust fund: Fulfill the conditions set by his grandmother and that is to get married. Rocky agrees to act as Rocco’s pseudo wife in exchange for a “talent fee.” They seal the deal. As they live like a married couple, Rocco and Rocky face one problem after another, forcing them with no alternative but to reconcile their differences and work with each other. Complication arises when they start to feel for each other, with their bond getting closer.
Nina is a 20 years old girl from Valladolid who lives with her divorced father, an autoritarian and conservative man. Trini is of the same age and has lost her mother. For both Valladolid and their families have nothing to offer and therefore they go on a risky voyage to the Costa del Sol at the south of Spain.
Spoiled Jessie Montgomery, whose wild behavior and spending excesses cause her well-meaning but exasperated millionaire father Charles to wish he never had her, is visited by fairy godmother Stella. In an effort to save Jessie, Stella casts a spell which causes Charles to no longer have a daughter. Jessie, now penniless and without a friend, must take a maid's job to earn a living, and hopefully to learn her lesson.
An irritable marketing executive, Neal Page, is heading home to Chicago for Thanksgiving when a number of delays force him to travel with a well meaning but overbearing shower curtain ring salesman, Del Griffith.
It's vacation time for outdoorsy Chicago man Chet Ripley, along with his wife, Connie, and their two kids, Buck and Ben. But a serene weekend of fishing at a Wisconsin lakeside cabin gets crashed by Connie's obnoxious brother-in-law, Roman Craig, his wife, Kate, and the couple's two daughters. As the excursion wears on, the Ripleys find themselves at odds with the stuffy Craig family.
A successful businessman falls in love with the girl of his dreams. There's one big complication though; he's fallen hook, line and sinker for a mermaid.
It took a lot of cajoling to get Bob, a recently widowed architect, to go on a blind date at a quirky Irish-Italian eatery. Once there, he's smitten instantly not with his date but with the sharp-witted waitress. Everything seems to be going great until an unbelievable truth is revealed, one that could easily break both of their hearts for good.
Writer Harry Block draws inspiration from people he knows, and from events that happened to him, sometimes causing these people to become alienated from him as a result.