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Madrid, 1987 is not what you’d call a #metoo-friendly film, which in and of itself is a good reason, though not the only one, to watch it. Miguel (José Sacristán), an old (not to say elderly) columnist, hopes to trick a beautiful young college student named Ángela (María Valverde) into having sex with him. There's nothing romantic about this situation, but then writer/director David Trueba is by no means trying to romanticize it. Ángela wants to be a writer and has written an essay about Miguel, which he has agreed to read; however, he is more interested in sexual than textual matters and soon stops pretending to care in the least about her writing — or, for that matter, his own. In an inversion of Borges' “many things I have read and few I have lived”, Miguel tells Ángela that “before, when something important happened to me, I would rush to write about it; now, I would happily stop writing if only something happened to me.” In that spirit, Miguel convinces Ángela to go with him to the studio of his painter friend Luis — who is conveniently away “in the mountains” —, ostensibly to “get to know her better” (know her in the biblical sense, that is). Miguel's seduction, if you can call it that, of Ángela is anything but glamorous, the writer missing with every swing — he asks her to take off her clothes and Ángela does a half-assed striptease; he pseudo-erotically traces lines on her skin with paint and she gets in the shower to wash them off; he gets in the shower with her and she gets out, and so on and so forth. For a film in which the two leads eventually spend most of the time naked, Madrid, 1987 is counterintuitively and deliberately anti-erotic. They both get locked in the bathroom (Luis having forgotten to warn Miguel about the faulty lock) — by accident, mind you; this is not another of Miguel’s lame attempts, although he definitely sees it as a sign to redouble his efforts to get Ángela to grant him sexual favors, even if it’s out of pity. Miguel is mostly full of shit — eventually admitting that everything he has said to Ángela has been a euphemism for 'let's fuck' —, but for all of his sophistry, he manages to cast one or two pearls of wisdom; for example: “in cinema and in literature I like to see people working” (echoing Roger Ebert’s statement that “actual work is more interesting than most plots”). Now, of Miguel's actual work we catch but a glimpse, and yet he comes across as one of the most genuine fictional writers/journalists I've ever seen in film; the director was himself a freshman journalism student in the titular year, and the character feels like someone the young Trueba might have met back then (under very different circumstances, one should hope).
Cleo Moore stars as Mary Adams, whose first step on the road to ruin is a $25,000 robbery. Mary hides the money, then confesses to the crime, secure in the belief that she can dig up the loot upon her release from prison.
Set in Harlem in 1987, Claireece "Precious" Jones is a 16-year-old African American girl born into a life no one would want. She's pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother, an angry woman who abuses her emotionally and physically. School is chaotic and Precious has reached the ninth grade with good marks and a secret; She can't read.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever.
Genial shopkeeper Philip has to endure the constant nagging of a shrewish wife while he secretly yearns for a pretty young stenographer. When the henpecking gets to be too much, Philip murders his wife and manages to make her death look like an accident. A ruthless blackmailer and a low-key detective both discover Philip's secret, and he has to decide which of them poses the more dangerous threat.
Yangon, 1998. A boy and his mother are waiting for the return of the father, a civil servant, to move out another town at Upper Burma. On the last evening the boy tries to understand the complexities of relationships.
During the 1972 elections, two reporters' investigation sheds light on the controversial Watergate scandal that compels President Nixon to resign from his post.
A robust adventure about two British adventurers who take over primitive Kafiristan as "godlike" rulers, meeting a tragic end through their desire for a native girl. Based on a short story by Rudyard Kipling.
Emma, a French novelist aged 27, decide to go to Berlin and join a brothel to uncover the prostitution world, the subject of her new book. Such as gonzo journalism, Emma become a prostitute and her experience, which was supposed to last a few weeks, will last two years. Was writing her book an excuse for Emma to live a shameful fantasy?
The mind of Pierre Bérard, a successful middle-aged architect, is torn between his unstable present with Hélène, his younger lover, and his happy memories of the past with Catherine, his ex-wife; but his true destiny awaits him at a crossroads on his way to Rennes…
On the 25th of June 1983, the Lord’s Cricket Ground witnessed one of the biggest underdog stories in the history of sports. Fourteen inspired players - led by a man's self-belief and conviction - fought against all odds and orchestrated India’s greatest sporting triumph by beating the two-time World Champions West Indies.