L'Adieu à Solférino

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.

Documentary about Brazilian actress Sandra Bréa.

Christian Dior, the creator of the New Look, died 60 years ago, on October 23, 1957. Frédéric Mitterrand traces the entire life of the French couturier who revolutionized fashion. He also explores France, which Christian Dior loved, and ventures into landscapes that inspired him.

"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'

At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.

"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM

Every day, Paris’ six railway stations welcome over 3,000 trains and more than a million travelers coming from France and all over Europe. The stations’ sizes are impressive: Gare du Nord is bigger than the Louvre or Notre-Dame de Paris. These railway stations are architectural landmarks and a model of urban planning despite the radical changes they’ve undergone since their construction in the middle of the 19th century. How did the railway stations manage to absorb the boom of travelers in just a few decades? What colossal works were necessary to erect and then modify these now essential buildings? From the monumental glass walls of Gare du Nord to the iconic tower of Gare de Lyon, to the first-ever all-electric train station, each has its own story, technical characteristics, and well-defined urban image.

107.9 The End was an innovative radio station in the Alt-Rock days of the 90s in Cleveland, Ohio. After the telecommunications act of 1996 however, the station found it self in the hands of different owners. This film tells the story of the station through the people that lived it, the disc jockeys and staff.