The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
Wicked 2024 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 28th)
Babygirl 2024 - Movies (Jan 28th)
Moana 2 2024 - Movies (Jan 27th)
Overkill 2024 - Movies (Jan 27th)
Scam Goddess - (Jan 30th)
The Ingraham Angle - (Jan 30th)
The Five - (Jan 30th)
Special Report with Bret Baier - (Jan 30th)
Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
All Elite Wrestling- Dynamite - (Jan 30th)
The Thundermans- Undercover - (Jan 30th)
Expedition Bigfoot - (Jan 30th)
Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
School Spirits - (Jan 30th)
The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Chicago Med - (Jan 30th)
Chicago Fire - (Jan 30th)
The Rachel Maddow Show - (Jan 30th)
Guys Grocery Games - (Jan 30th)
Someday at a Place in the Sun - (Jan 30th)
Kirstie And Phils Love It Or List It - (Jan 30th)
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/blink-twice-review-zoe-kravitzs-directorial-debut-delivers-a-thought-provoking-exploration-of-power-and-trauma/ "Blink Twice marks a promising debut for Zoë Kravitz as a filmmaker, demonstrating that her personal creativity and vision aren't confined to the side of the camera she works on. Despite some shortcomings in tone management, the compelling narrative, supported by memorable performances from Ackie, Tatum, and Arjona, and an immersive, unsettling atmosphere, make this psychological thriller an engaging, cathartic experience. Kravitz tackles relevant, complex contemporary themes, offering a thought-provoking reflection on power, trauma, forgiveness, and forgetting. Above all, this debut will leave many viewers eager to see what Kravitz brings to the world of cinema in the near future." Rating: B+
Yikes but this is riddled with flaws. "Frida" (Naomi Ackie) and her pal "Jess" (Alia Shawkat) are working for the caterers at a grand party hosted by gazillionaire "Slater" (Channing Tatum). Mid way through the evening, they don their glad rags and join in the party. A little accident gets "Frida" introduced to their host and after a few glasses of Champagne, the two are thick as thieves. His chief of staff, "Vic" (Christian Slater) needs to go somewhere warm so he can have a drink with an umbrella in it, so they readily accept an invitation from their new-found friend to visit his paradise island where together with a group of his other friends, they will enjoy some sunshine, fine dining and drugs-galore. What's a bit unnerving on this otherwise Elysian estate, is the old woman (María Elena Olivares) who seems to spend her time gathering up some beautiful yellow snakes that roam the place freely but whose venom can be dangerous. It's only when "Jess" gets bitten that her friend begins to wonder just what is going on here. It's all just too idyllic, and when the old lady gives her a shot of something to drink that isn't from an hand-blown bottle - well, reality starts to kick in and things take on a much more sinister reality not just for her, but for all of the women going about their days in blissful, powder-induced, ignorance. It's got something of the Agatha Christie meets "Glass Onion" to it, this - and for maybe the first half hour is quite intriguing, but once the story gets into gear it just becomes too implausible. Sure, it plays to vanity and the readiness of folks to believe what clearly is too good to be true, but as the story builds to a denouement there is one whopping great Achilles' heel in the premiss that even the occasional presence of his perma-ditzy assistant "Stacy" (Geena Davis) can't rescue. It's a good looking drama, but the acting is as unremarkable as the dialogue and though I did quite like the irony of the final conclusion, the plot is just way too thin as we work our way there. This is typical summertime cinema fayre that tries to mix comedy with thriller but in the end just looks like a good excuse for Tatum, Slater et al to have some fun in the sun.
Great movie! 'Blink Twice' manages to create high intrigue, an unsettling tone and is very stylishly put together, eventually showcasing some thoroughly enjoyable and visually pleasing violence towards the end. Naomi Ackie and Channing Tatum are both terrific, Ackie is particularly top notch. Nice to see Geena Davis involved too, not seen her since the days of 'Stuart Little'! The rest of the cast are all good value, especially Adria Arjona. I'd admit that it isn't the most unique picture, there are remnants of other productions scattered in there - 'Don't Worry Darling' for one, bit of 'Glass Onion' as well as basically any Jordan Peele flick. Still, I had a real fun time watching it all unfold on the big screen so I truly can't leave any complaints. Interested to see what Zoë Kravitz does next in the hot seat.
Zoë Kravitz's BLINK TWICE is a startling thriller, but that’s just the sheep’s clothing around this dark moral exposé. The real wolf is the urgent assault story lying underneath. It’s a stinging and significant shock that rubs salt into an open wound (and slaps awake the ‘not ALL men!’ crowd). So how does Blink Twice explore sexual assault? What does it have to say about money and power? And is THAT rumour about its original title ACTUALLY true? Read our full take on BLINK TWICE at good.film: **https://good.film/guide/welcome-to-pitch-black-paradise-heres-why-you-wont-forget-blink-twice**
In a surprising turn of events, Channing Tatum takes on a new role in the horror genre in the upcoming thriller "Blink Twice". Directed by his girlfriend Zoe Kravitz, this film will have audiences on the edge of their seats, trying to decipher the mystery unfolding on a secluded island where women and a young man have been taken. The luxurious setting, mouth-watering food, and extravagant hospitality all seem too good to be true, leading to a suspenseful tale that keeps viewers guessing until the very end. Without giving away any spoilers, it's safe to say that the plot is intricately woven, the direction is top-notch, and the climax is sure to leave you speechless with a jaw-dropping twist. As the story delves into dark and unsettling territory, drawing parallels to real-life events like those surrounding Jeffrey Epstein's island, it becomes clear that "Blink Twice" is not just your average thriller. It sheds light on the horrors that can lurk beneath the surface of seemingly idyllic settings, making it a chilling reminder of the dangers that can exist in the shadows. While the subject matter may be disturbing, the film itself is a well-crafted piece of cinema, skillfully executed and guaranteed to leave a lasting impact on its audience. So buckle up for a wild ride with Channing Tatum in a role you never saw coming, and prepare to have your perception of him as an actor forever changed.
Blink Twice is Zoe Kravitz’s dazzling directorial debut, a gripping, twisted thriller that confronts post #MeToo gender politics head-on. The film expertly combines razor-sharp genre storytelling with biting social commentary, all against a brutal, tension-filled backdrop. It’s as wildly entertaining as it is thought-provoking, making it a must-watch and one of the year’s standout films.
**"Blink Twice" and You’ll Miss a Stunning Directorial Debut from Zoë Kravitz** Zoë Kravitz has officially entered the world of directors with Blink Twice, and her debut is nothing short of brilliant. She reimagines the Final Girl trope in a fresh, bold way, giving us an excellent blend of suspense and smooth storytelling. Kravitz's mastery of narrative pacing and visual tension makes it clear she’s not just dabbling in directing—she’s making waves. This debut film is the perfect example of a director with vision, confidence, and originality. And then there’s Channing Tatum. WOW! His performance is absolutely jaw dropping, showcasing a range we haven’t often seen from him. Tatum seamlessly moves between charm, vulnerability, and intensity, pulling the audience into every scene. It’s one of his most transformative roles yet, proving he’s more than capable of delivering deeply emotional, dynamic performances. **The Big Idea: Forgetting vs. Happiness ** Zoë also takes us deeper with her thought-provoking theme of "Forgetting to Move On." Rather than promoting the idea that forgetting brings happiness, she questions whether holding onto memories, even painful ones, can make us stronger. It echoes the often misattributed quote: “Happiness is good health and a short memory.” Kravitz challenges that idea, making us think twice about how we process the past. **KUDOS to Naomi Ackie ** Naomi Ackie delivers a grounded, powerful performance that perfectly complements the film’s intensity. She adds emotional depth to every scene she’s in, capturing the complexities of her character without overplaying it. Ackie’s natural talent shines, and her performance is definitely one to watch. Don’t miss out on this unforgettable cinematic experience—Blink Twice will leave you reflecting long after the credits roll.
Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.
Robert Hansen, 34, a young police officer from Copenhagen, is transferred against his will to the small town of Skarrild in Southern Jutland as a substitute Marshall. The transfer is Robert’s chance to start over. Whether he is allowed to return to his job in Copenhagen, all depends on how well he performs in this frontier town.
A policeman from Stockholm come to Norrbotten in Sweden, to join his brother, now when their father is dead. While there he starts to work on a long-running case where reindeers have been poached and soon discovers that his brother is involved...
A famous photographer, Jo Ellen Hathaway, has been being stalked for quite some time. She returns to the island she grew up on in an effort to get away from the stalker and get some well-needed relaxation time. On the island, she meets up with old friends and boyfriends and works on relationships with her family. However, she can't shake the feeling that she's still being watched.
Cecilie sees and hears things no one else does; places suddenly change appearance, people aren´t really there. One night she experiences a rape, but no traces are to be found. Her husband Mads commits her to a psychiatric hospital. With the help of a psychiatrist, Per, she begins to see a frightening connection between her condition and a brutal murder that happened more than 30 years before.
A serial killer is murdering school girls, and a newbie cop has to track him down before the victim count increases.
Kaori and Natsumi go to the same university. They met for the first time after learning they had the same boyfriend. Their boyfriend, Naoki, was a gangster. He blackmailed Kaori with a sex video and forced her to help him with credit card fraud, while tempting Natsumi with sweet words at the beach aiming for the landing patent of Natsumi's mother's apartment. Kaori and Natsumi were upset that they were tricked and conspired to kill Naoki. They developed a strange friendship as they dismembered Naoki's body. Kaori and Natsumi went by car to the sea where they planned to scatter the remaining bones. But Kondo and other yakuza learned what they did and chased after them. What is the ending of the escape for life and death, love and friendship?
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
Detective Diana Olmstead arrives on the scene of a body with a mysterious egg sac. A clue leads her to Innsmouth, where she meets a seductive and horrific fate in the form of Alice Marsh.
As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.