Le grand solstice

On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.

In a forest of giant trees, six-year-old Oquirá embarks on a quest to understand life.

A document of the originators of the DIY Rez Metal scene, and the bands that are now carrying the torch, including I Dont Konform, Mutilated Tyrant and Born of Winter. From a generator-powered show in the Arizona desert to a band practicing in a traditional Navajo dwelling called a Hogan, this story — told by Navajo ("Diné") bands and individuals involved in the scene — explores the creation of Rez Metal in the Eighties, the juxtaposition of old and new Navajo traditions and the link between heavy metal and native pride.

Benito Arévalo is an onaya: a traditional healer in a Shipibo-Konibo community in Peruvian Amazonia. He explains something of the onaya tradition, and how he came to drink the plant medicine ayahuasca under his father's tutelage. Arévalo leads an ayahuasca ceremony for Westerners, and shares with us something of his understanding of the plants and the onaya tradition.

Renowned Haida artist Bill Reid shares his thoughts on artistry, activism and his deep affection for his homeland in this heartwarming tribute from Alanis Obomsawin to her friend's life, legacy and roots.

An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.

An adopted eight-year-old Peruvian boy wants to look like his typically Dutch father; however, an encounter with a band of Peruvian-Indian street musicians will inspire him to find his roots.

In a small town in the Canadian Arctic, Ippik, a young Inuit woman, suffers in an abusive relationship. She starts to heal when she connects with other victims of violence and finds her voice.

The time is early autumn. The woman wakes and dresses the boy. He practices with his sling while she spreads a caribou skin to dry. The boy picks berries and then the men come in their kayak with another caribou. This is skinned, and soon night falls. In the morning, one man leaves with his bow while the other makes a fishing mannick, a bait of caribou meat. The woman works at the skins, this time cleaning sinews and hanging them to dry. The man repairs his arrows and then sets a snare for a gull. The child stones the snared gull and then plays hunter, using some antlers for a target. His father makes him a spinning top. Two men arrive at the camp and the four build from stones a long row of manlike figures, inukshult, down toward the water. They wait for caribou and then chase them toward the stone figures and so into the water where other men in kayaks spear them. The dead animals are floated ashore and skinned.