Le grand solstice

A document of the originators of the DIY Rez Metal scene, and the bands that are now carrying the torch, including I Dont Konform, Mutilated Tyrant and Born of Winter. From a generator-powered show in the Arizona desert to a band practicing in a traditional Navajo dwelling called a Hogan, this story — told by Navajo ("Diné") bands and individuals involved in the scene — explores the creation of Rez Metal in the Eighties, the juxtaposition of old and new Navajo traditions and the link between heavy metal and native pride.

In a forest of giant trees, six-year-old Oquirá embarks on a quest to understand life.

On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.

A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.

Qallunaat! Why White People Are Funny is an irreverent look at Western Civilization through Inuit eyes. Inspired by the satirical essays of Zebedee Nungak, the film turns the tables on generations of anthropologists, teachers, adventurers and administrators who went North to pursue their Arctic Dreams. Now it’s their turn to be poked, prodded, examined and explained. A new generation of Inuit is ready to take on the Qallunaat at their own game. Grounded in their own traditions but educated in the South, they have a unique perspective on the culture that has come to dominate the planet. And they are not afraid to speak their minds.

This short impressionist documentary looks at the creation of a Button Blanket by integrating the performance of a traditional dance with the art of the West Coast Heiltsuk Nation.

Smoke Traders is an inside look at the world of the Mohawk tobacco trade.

Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.