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This movie is about the life and death of the poet, Hart Crane (James Franco). It details his life, working for his father, trying to find time for his poetry, but also about his love life as a gay man. It is actually a very straightfoward movie, shot chronological, but does have some elements of poetry in the images as well (especially in the beginning of the movie), although not as much as I would have loved. The images themselves are mostly black and white, made with a handheld camera that makes the images very lively and nervous. These are good choices for a movie of this character. It has the feel of a documentary, although it clearly is not. Another trick that the movie uses, is to divide the movie into chapters, or as they call them, _Voyages_. Each voyage also has a subtitle or description that lets us know what to expect. It ties in well with the literary tradition. James Franco clearly have a lot of admiration and love for Hart Crane, which makes him very believable in the role. Hart Crane is a fragile man, who only wants to write poems and be alive. He has no great expectations of life, but doesn't feel like the world understands nor accepts him. In another (minor) role as Hart's lover, we see one of my favorite actors, Michael Shannon. I like it when big actors take on minor roles like this, it shows that they aren't just in this game for the money, but to tell important stories. This would most likely be considered to be a B-movie, whatever that actually means, but when you look closer, it actually makes a very believable setting and the actors are great in their roles. All the choices concerning the colours, the nervousness of the handheld camera and the messy editing, those are, I think, on purpose. The emphasize the feel of Hart Crane, as they make sure we get right under his skin. _Last words... a bold movie that dares be different, much like Hart Crane himself. It is not a huge movie by any means, and yet, it is a very personal and emotional movie if you dare get involved in the Voyages of Hart Crane. For whatever it's worth... this movie gave me a reason to look up the name Hart Crane and, perhaps, emerge myself in his poems. At least, a book now resides on the shelves... with the name Hart Crane._
A writer tries unsuccessfully to sell his screenplays and plays. He marries a television editor, but she only wants to fuck him and thinks nothing of his work. He then remembers his old Parisian lover Rita, calls himself Rita from then on and becomes her wife. When a French director stages a play of his, he meets Rita again in Paris and the two women become a happy couple.
The movie follows Elia da Cortona, one of the most faithful followers of St. Francis, from 1209 to 1226.
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.