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***Iconic Medieval adventure of the early 90s*** Released in 1991, "Robin Hood: Prince of Thieves" stars Kevin Costner in the title role. While some have argued that Costner was too humorless and brooding for the part, this is a cinematic myth. There are quite a few places in the film where he can be seen smiling and having a good time, like when he makes it back to England after the Crusades or when he's spending time with Marian in Sherwood Forest. Thankfully, he's more three-dimensional than this and so you also see him desperate, angry, grieving, vengeful, strategizing, contemplative, etc. To be honest with you, Costner was in his prime at the time and towers in the role; whether or not you like him is a matter of opinion. Mary Elizabeth Mastrantonio as Marian is memorable with her unique facial features and odd hairstyle even though she doesn't trip my trigger. Morgan Freeman as the Moor Azeem is an excellent partner for Robin Hood while Alan Rickman and Michael Wincott are effective villains as the Sheriff of Nottingham and Guy of Gisborne respectively. Christian Slater, Nick Brimble and Michael McShane are also on hand as Robin's sometimes merry men, the latter two being Little John and Friar Tuck. I've always had mixed feelings about this movie due to its mixed tone and the fact that it loses its mojo in the last 45 minutes. Concerning the first, the flick is often serious and brutal, but it's also sometimes cartoonish and over-the-top. Rickman particularly hams it up, entertaining though he is. Another good example is Geraldine McEwan as the ee-vil witch Mortianna. Her portrayal is spooky and Gothic in a comic book horror kind of way, but it detracts from the many parts that establish the story as believable quasi-history. Still, she's excellent as the hideous witch. Another example is the semi-goofy, overly heroic action scenes, like Robin & Azeem being catapulted over the castle wall. Why sure! Concerning the second criticism, the movie is overlong by about 25 minutes. When the Celts attack the camp at the 95-minute mark I always start to lose interest and the rest of the movie is a tedious blur. But there’s a lot of medieval action, if that’s your thang. As far as medieval films of the British Isles go, I prefer the more serious and consistent tone of "Tristan + Isolde" (2006) and "First Knight" (1995). Nevertheless, “Prince of Thieves” is an entertaining Robin Hood adventure and is iconic of early 90's cinema. The entire first act is the best part followed by the many Sherwood Forest sequences. And the climatic cameo by a certain famous actor is a nice touch. I enjoy seeing “Prince of Thieves” every five years or so. The film runs 143 minutes and was shot mostly in England, but also France. My wife loves the end credits’ song “(Everything I Do) I Do it for You” by Bryan Adams. GRADE: B/B-
I've always been a fan of the baddie in films - and this film really belongs to Alan Rickman's "Sheriff" with a good supporting effort from Geraldine McEwan as his harridan witch cohort. They bring almost all of humour and menace. The bulk of the rest of the film is a pretty run-of-the-mill vehicle for Costner, Freeman and Mastrantonio - and moves along well enough as a pretty formulaic, very freely adapted, costume drama. Brian Blessed hams marvellously in the few scenes he has and the score works well into the fabric of the movie. Sadly, the writing and direction are nothing special. Errol and Basil have little to worry about.
In 5th Century Britian, a young Merlin struggles for his place in his known land under the tutelage of The Mage, a local wizard whom sees the young man's potential for magic, as well as face off against his evil former friend, Vendiger, whom plots with a feudal warlord king to conquer all of Britian using an army of flying dragons, and only Merlin with the alliance of the local Prince Uther and Ingraine and a pair of mystical goddesses, can have the power to stop the evil from taking over the land.
Charles Price may have grown up with his father in the family shoe business in Northampton, central England, but he never thought that he would take his father's place. Charles has a chance encounter with the flamboyant drag queen cabaret singer Lola and everything changes.
Hutch Mansell, a suburban dad, overlooked husband, nothing neighbor — a "nobody." When two thieves break into his home one night, Hutch's unknown long-simmering rage is ignited and propels him on a brutal path that will uncover dark secrets he fought to leave behind.
The most important family in Hickoryville is (not surprisingly) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the muscles to match up to them, so he has to use his wits to win the respect of his strong father and also the love of beautiful Mary.
An orphan little girl befriends a benevolent giant who takes her to Giant Country, where they attempt to stop the man-eating giants that are invading the human world.
Sixteen-year-old Micki never met her parents. Raised by her ex-gangster grandfather Pops and crazy Uncle Sal, she develops a scheme to set her family up for life. A simple robbery, a violent loan shark, and a ticking clock. What could go wrong?
Liverpool. 1947. Right after World War II, a star struck naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth as she becomes drawn into a web of sexual politics and intrigue and learns about the grown-up world of the theater.
From double BAFTA nominated Writer and Director John Walsh. Monarch is part fact, part fiction and unfolds around one night when the injured ruler arrives at a manor house closed for the season.
Mongol chief Temujin battles against Tartar armies and for the love of the Tartar princess Bortai. Temujin becomes the emperor Genghis Khan.
In Soviet-era Estonia, three young mavericks drop everything and flee to Sweden, but soon learn the free world is not all it's cracked up to be.