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I read the reviews and poor scores for this film so my expectations were low. But somewhere after the first couple stories, I asked myself the same question as these filmmakers did: "Tell me how you really feel about 2020 in 20 minutes?" I myself would've been at a loss. The question yields another perspective and appreciation for these stories. Even Lowery's it-takes-a-pandemic-to-get-me-to-dig-up-my-dead-brother wasn't bad. Chen's comment on the dramatic pandemic-related increase of domestic violence was spot on. Panahi's biopic of how our elders suffer differently than us was touching. Vitthal's heartwarming personal story just reminds us of the continuing class difference even in how the pandemic affected us. The pièce de résistance was, of course, the duality of Weerasethakul's Buddhist world-view that insects don't give a shit about your pandemic ego, dude. And Poitras? Well, I'm in the business. It's worse, and way more dangerous, than she says.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 1: Hard Love contains nine complete films: Hong Khaou's "Summer" starring Peter Peralta and Jay Brown; Michael Simon's "Gay Zombie" starring Brad Bilanin, Ryan Carlberg, and Robin McDonald; Jason Bushman's "Serene Hunter" starring Eric Debets, Flannan Obé, and Jonathan Blanc; Timothy Smith's "Le Weekend" starring Omar and Fernando Peres; Jean Baptiste Erreca's "Cowboy Forever" featuring Govinda Machado de Figueiredo and Jones Carlos Fialho de Araújo; Damien Rea's "Scarred" starring Chris Anderson, David Durham, and Lara Cazalet; Tim Hunter's "Packed Lunch" featuring Kevyn Boemia, Chris Sayers, and Steven Quigg; John Winter's "Mirror Mirror" starring Roy Billing; and Maxwell Barber's "VGL-Hung!" starring Marcus Proctor, Jeff Chandler, and Ashley Ryder.
2020 graduates from the University of Iowa chronicle their first year in “the real world”; a world which suddenly looks much different than ever before.
This omnibus release consists of three playlets filmed and aired during television's Golden Age, and starring some of the legends of film and television. The collection originally ran as a two-hour segment on December 14, 1959, on the anthology series The Play of the Week, broadcast locally in New York City via the independent radio station WNTA. Each "tale" in the anthology was adapted from a single tale by the inimitable Sholom Aleichem, regarded by many as the "Yiddish Mark Twain". Included are: "A Tale of Chelm" starring Zero Mostel and Nancy Walker in the story of a bookseller attempting to buy a goat; "Bontche Schweig" about a poor man (Jack Gilford) whose recent arrival in Heaven makes the angels cry; and "The High School" about a Jewish merchant (Morris Carnovsky) persuaded by his wife (Gertrude Berg) to let their son attend a particular high school despite the enforcement of quotas for Jewish students.
New York City. March - April 2020. At the beginning of the COVID-19 pandemic, two men, both named Walter Stoyanov, watch their lives getting turned upside down, as one of them falls ill and the other one is being investigated by FBI Special Agent John McCallany.
During the pandemic-induced lockdowns of 2020, a restaurant owner struggles to maintain his business.
In a time marked by longing and uncertainty, at the beginning of a social isolation, two friends disappear. The pandemic becomes a backdrop for the loss of innocence and the rescue of long-lost things. Ingenuous is like a farewell gift from the only link that united these two missing figures; two strangers who get lost, or maybe, just maybe, just met.
A murder has happened at the time of COVID, and the female cop is on duty to find the murderer.
Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.
An anthology film that takes you to different eras in the history of Kerala through three stories about relationships and emotions.
Pedro, an indigenous migrant, returns to his village for his mother's funeral. When he learns of the serious problem his brother Ismael is involved in, he decides to stay and face the consequences of his absence.
Using intimate footage recorded by passengers and crew, The Last Cruise is a first-person account of the nightmare that transpired aboard the ill-fated Diamond Princess cruise ship, which set sail from Japan on the earliest days of the COVID-19 pandemic.