Hei hei Tornio

A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.

A coming-of-age documentary that follows a group of young filmmakers as they make their first feature film, Scuba.

For a hundred years, the Association of Finnish Student Unions (SYL) has acted as the mouthpiece for Finnish university students. SYL opened its doors to the world and was a pioneer in both student health care and housing production. At the same time, there have been marches both for developing countries and against the Soviet Union.

Six girls coming of age, ready to become something extraordinary.

A group of final-year media students experience their last 238 days together, expressing how they feel before having to say goodbye.

A reflection about memory, the digital world and the files that we generate daily through the audiovisual gallery of a mobile phone

When two former top orienteers end up in a snowstorm in Lapland wilderness, they face an impossible orienteering task: how to reach your destination when you can't tell earth from sky?

Docudrama about the Soviet occupation of a Finnish village in the fall before the Winter War.

Four precocious preteens perfect their lip-synching and runway walks in anticipation of the biggest drag performance of their lives at Montreal Pride, in this fierce and joyous celebration of acceptance and self-discovery.

Documentary about a group of young idealistic friends in their squat in Amsterdam. Chased by the police and the press, they moved from squat to squat, with a clear message: don't make the city too expensive for the new generation of Amsterdammers. But living with such a large group and the flaws of the squat begin to take their toll. When the squatters collective falls apart halfway through the film, the filmmaker is left disillusioned and decides to confront the young squatters with her feelings of disappointment.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.