Spokes & Robbers

Florent, 23, is an upper class Parisian who dreams of going back to America, where he attended college. One summer he meets Alessia, an American girl, lost in the streets of Paris. Together and with random encounters while on a journey from Paris to Normandy, they explore their passions, which draws them closer as well as brings up their clashing differences. As they face a crucial crossroad in their lives, they will uncover new sides of themselves, struggling to determine who they are personally, professionally and sexually while to break free from their upbringings.​

New Year's Eve. A group of friends, all around 18 years old, get together for a party. Ties of love and friendship are formed and broken off. At the frontier between carelessness and seriousness, their true natures come to light.

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

Thirteen-year-old Jesse wants to be an artist and believing that his mundane, middle-class life has left him unprepared, he sets out looking for wildness and women.

Focusing on the trauma of losing your significant other and the guilt carried when attempting to move on in a new relationship, Andrew feels pressured to choose between his deserved future with Olive, his current romance or dwell on the death of Julia, his last picture perfect relationship.

Two high school friends, Nick and Sam, spend the afternoon in suburban Pennsylvania.

Pim lives in a run-down house in a dead-end street somewhere on the Flanders coast, together with his mother Yvette Bulteel. Life here smells of cold French fries, cheap cigarettes, vermouth and stale beer. As a kid, Pim dreams of a better life, imagining princesses and beauty queens. But when Pim turns sixteen, he begins dreaming of Gino, the handsome boy next door, instead.

The Herdman kids are undeniably the worst kids in the history of the world. They lie, steal, cheat, bully and overall terrorize their small community. But this Christmas, they're taking over their local church Pageant – and they just might unwittingly teach a shocked little town the true meaning of Christmas.

La vie quand même (LIFE AFTER ALL) is another film in a series collectively called 'Tales from the Orphanage'. The story is simple on the surface (children coping with the sudden loss of parents), but in the hands of writer Sophie Tasma and director Olivier Péray this storyline unfolds a tale of brotherly love that is well worth watching.

When a young boy begins behaving strangely, shocking truths emerge as the story unfolds through the eyes of his single mother, a teacher who is believed to be responsible, and the child himself.

Late Rishi Kapoor in his swansong plays B. G. Sharma, a 58-year old middle-class widower living in West Delhi. After being laid off from the company he has worked for his entire life, Sharmaji struggles to deal with the beast called retirement. His struggle to stay relevant in front of his two sons finally ends when he rekindles his love for cooking through a kitty party. A bunch of merry women rekindle in Sharma, a passion for cooking and chutzpah in general, that help him find his true calling.