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Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
The Road to Patagonia 2024 - Movies (Mar 5th)
Grunt 2025 - Movies (Mar 5th)
The Unbreakable Boy 2025 - Movies (Mar 4th)
The Gutter 2024 - Movies (Mar 4th)
Smile for the Dead An Examination of Spirit Photography 2025 - Movies (Mar 4th)
The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
Below the Rim 2024 - Movies (Mar 4th)
Aquarius 2024 - Movies (Mar 4th)
Echo 8 2024 - Movies (Mar 4th)
Small Things Like These 2024 - Movies (Mar 4th)
Andrew Schulz LIFE 2025 - Movies (Mar 4th)
Hard Truths 2024 - Movies (Mar 4th)
Heart Eyes 2025 - Movies (Mar 4th)
Levels 2024 - Movies (Mar 4th)
Night Talkers 2024 - Movies (Mar 3rd)
William Tell 2024 - Movies (Mar 3rd)
The House From... 2024 - Movies (Mar 3rd)
Make It At Market - (Mar 6th)
Ancient Aliens - (Mar 6th)
The Nature of Things - (Mar 6th)
Family Feud Canada - (Mar 6th)
Four in a Bed - (Mar 6th)
Love Is Blind- Sweden - (Mar 6th)
Cóyotl, Hero and Beast - (Mar 6th)
The Thundermans- Undercover - (Mar 6th)
Rocky Mountain Wreckers - (Mar 6th)
Big Miracles - (Mar 6th)
Pawn Stars - (Mar 6th)
Landscape Artist of the Year - (Mar 6th)
Bangers and Cash - (Mar 6th)
After Midnight - (Mar 6th)
Gogglebox Australia - (Mar 6th)
Watch What Happens Live with Andy Cohen - (Mar 6th)
The Family Business- New Orleans - (Mar 6th)
The 11th Hour with Stephanie Ruhle - (Mar 6th)
Tribunal Justice - (Mar 6th)
Gangland Chronicles - (Oct 1st)
In a word... boring? These '365 Days' film are many a thing, but boring they are usually not - at least in the traditional sense. 'The Next 365 Days' kinda is, especially the last 30-40 minutes. Across the whole run time, I think there's less sex than usual - that's not to say there isn't sex, there's plenty, but it seemed slightly less constant. The only pluses, albeit very minor ones, I have are basically the same as before: it uses decent music and has some solid shots spattered in there. They remain pointless in their existence and very much overstay their welcome, yet I kinda couldn't not watch them. What are the odds on more sequels? There is no reason to continue the 'story', yet that hasn't exactly stopped Netflix before... has it? This one does end with something that feels like a final conclusion though, with no cliffhanger in sight, so we'll see.
If I were in the mood to watch adult content, Netflix would definitely not be my first choice. The movie I stumbled upon was a total disaster, making me extremely uncomfortable, especially when children unexpectedly walked into the room. It was a messy experience that I strongly advise against. "365 Days" seems to be all about sex and trying to engage the audience solely on that basis. The sequel follows the same pattern, and both films are filled with excessive plot holes, acting issues, and seem to lack a meaningful storyline. It feels like they are veering towards the wrong direction, almost resembling pornography rather than a film with substance. Despite being somewhat enjoyable, these movies left me questioning why they were even made. I only watched the sequel because I had seen the first one and felt compelled to review both at the same time, even though I found them both to be quite terrible.
Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.
A man suffering from anterograde amnesia as a result of a violent attack in the past sets out to avenge his girlfriend's death with the aid of photographs, notes and tattoos all over his body.
Paul Kersey is again a vigilante trying to find five punks who murdered his housekeeper and daughter in Los Angeles.
"Irish Eyes" explores the relationship between two Irish-American brothers in Boston born to immigrant parents and raised in a rough, working class Irish neighborhood. After watching their father being gunned down in front of their eyes as children, Thomas and Sean Phelan grow up building their lives on opposite ends of the law. Thomas, the studious and responsible brother, creates a better life for himself through education and hard, honest work. Eventually, he builds a successful career as a US Attorney. Sean, the more rebellious of the two, gets caught up in a life of crime and rises through the ranks to become the head of the Irish Mob.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
A small-time hood must choose from among love, friendship and the chance to rise within the mob.
Five different criminals face imminent death after botching a job quite badly.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
A snake-charmer falls in love with a circus trapeze artist who trains her and has her debut in this discipline.