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Undoubtedly still awful viewing, but... I found it a tiny bit more watchable than its predecessor. '365 Days: This Day' still has nothing that even closely resembles a plot, still has extremely limited actors and still shouldn't even exist. However, I'd be lying if I said I disliked it as much as the 2020 original. It's almost like taking out the sexual violence actually makes it more digestable, who'd a thunk it?! Unlike that other release, this falls into the more common category of just simply being rubbish. I will say, though, the music kinda slaps. The film is pretty much comprised of a series of sexual music videos placed back-to-back-to-back. Some of music used is well chosen I can't deny, I Shazam'd a couple... admittedly that probably says more about my taste in music than anything else! ¯\_(ツ)_/¯ There's even some minor neat cinematography, too. The positives I note are minimal, though, and don't overly help this 2022 production. I have more negatives, which also include an overlong run time and that shoddy ending. At least it marginally improves upon the film it follows, I wonder if its own sequel will do likewise? I plan to find out!
Oh hell naw!
FULL SPOILER-FREE REVIEW @ https://leakedcinema.com/en/movie/829557/365DaysThisDay Oh, that's beautiful: two people (?) sitting in the sunset, both beautiful, the guy has a tattoo on his palm, nowhere else (Redflag!!), she stares deeply in love at his quivering lips. The male lead looks as if the coke delivery from the wholesaler hasn't arrived, she's naked again. And then, wow, that look - like someone fell asleep on Instagram's sepia filter slider. Everything looks so beautifully even. In addition, the lovely sounds of the best that the German charts have to offer jingle from positions 58 to 72. Is it always the same song? Or lots of them that always sound the same? Is it even music or has someone kicked the neighbor's cat in the shin again? I don't know it. But no time to think. One of the mega hot soft sex games is just beginning, which is always really nasty and unpleasant. It's sooo romantic. She says “Fuck me”, he says nothing as usual, but his look has now changed from a coke hit to a stroke. And then he licks it. Oh, great. With the whole tongue, once across the face and the adjacent table leg. Luckily, the endless banter is filmed in super slow motion, so the torture...cinematic ecstasy lasts much, much longer. Suddenly he says... no, that's not true, he doesn't say anything. We only speak here in emergencies. Even if there's probably some kind of mafia plot being told, which I overlooked in all the constant fucking around. Unfortunately, I didn't understand who all these people were until the end. Well, of course it's stupid that I didn't see the first part, but it's also a little bit unusual that this sequel doesn't make any effort to give these characters any depth. Or to explain what is actually going on here. Is anything even going on? Well, it doesn't matter. The guys are supposed to be cute and the women are supposed to be persistent and stupid. And oh - they start slobbering on each other again 😍😍😍 ———— “365 Days - This Day” is like “Fifty Shades of Gray” for sexually frustrated amoebas like Dr. RTL2's summer question page is filmed as if the Netflix executive suite was personally shitting in your brain, in slow motion. Infuriatingly misogynistic, absurdly badly acted and of course at number 1 on the Netflix charts. When is there a power outage when you need one?
If I were in the mood to watch adult content, Netflix would definitely not be my first choice. The movie I stumbled upon was a total disaster, making me extremely uncomfortable, especially when children unexpectedly walked into the room. It was a messy experience that I strongly advise against. "365 Days" seems to be all about sex and trying to engage the audience solely on that basis. The sequel follows the same pattern, and both films are filled with excessive plot holes, acting issues, and seem to lack a meaningful storyline. It feels like they are veering towards the wrong direction, almost resembling pornography rather than a film with substance. Despite being somewhat enjoyable, these movies left me questioning why they were even made. I only watched the sequel because I had seen the first one and felt compelled to review both at the same time, even though I found them both to be quite terrible.
Agent Jack Ryan becomes acting Deputy Director of Intelligence for the CIA when Admiral Greer is diagnosed with cancer. When an American businessman, and friend of the president, is murdered on his yacht, Ryan starts discovering links between the man and drug dealers. As former CIA agent John Clark is sent to Colombia to kill drug cartel kingpins in retaliation, Ryan must fight through multiple cover-ups to figure out what happened and who's responsible.
An FBI undercover agent infiltrates the mob and identifies more with the mafia life at the expense of his regular one.
Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.
Based on the true story of Jack DiNorscio, a mobster who defended himself in court for what would be the longest mafia trial in U.S. history.
Karanina "Nina" Novak, is befriended by Nifty, the leader of a four-piece orchestra, and in return, secures an engagement for them at the Little Aregal Cafe, with herself as the vocalist, by pretending she once knew the King or Aregal back in the old country. Steve shows up pretending to be the King of Aregal, and complicates the growing romance between Nina and Nifty. When Steve runs off with Opa, the real King of Aregal (also Steve) appears and complicates things again.
Dilan's involvement in the motorbike gang imperils his relationship with Milea, whose distant relative returns from Belgium.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
Five different criminals face imminent death after botching a job quite badly.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.