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Undoubtedly still awful viewing, but... I found it a tiny bit more watchable than its predecessor. '365 Days: This Day' still has nothing that even closely resembles a plot, still has extremely limited actors and still shouldn't even exist. However, I'd be lying if I said I disliked it as much as the 2020 original. It's almost like taking out the sexual violence actually makes it more digestable, who'd a thunk it?! Unlike that other release, this falls into the more common category of just simply being rubbish. I will say, though, the music kinda slaps. The film is pretty much comprised of a series of sexual music videos placed back-to-back-to-back. Some of music used is well chosen I can't deny, I Shazam'd a couple... admittedly that probably says more about my taste in music than anything else! ¯\_(ツ)_/¯ There's even some minor neat cinematography, too. The positives I note are minimal, though, and don't overly help this 2022 production. I have more negatives, which also include an overlong run time and that shoddy ending. At least it marginally improves upon the film it follows, I wonder if its own sequel will do likewise? I plan to find out!
Oh hell naw!
FULL SPOILER-FREE REVIEW @ https://leakedcinema.com/en/movie/829557/365DaysThisDay Oh, that's beautiful: two people (?) sitting in the sunset, both beautiful, the guy has a tattoo on his palm, nowhere else (Redflag!!), she stares deeply in love at his quivering lips. The male lead looks as if the coke delivery from the wholesaler hasn't arrived, she's naked again. And then, wow, that look - like someone fell asleep on Instagram's sepia filter slider. Everything looks so beautifully even. In addition, the lovely sounds of the best that the German charts have to offer jingle from positions 58 to 72. Is it always the same song? Or lots of them that always sound the same? Is it even music or has someone kicked the neighbor's cat in the shin again? I don't know it. But no time to think. One of the mega hot soft sex games is just beginning, which is always really nasty and unpleasant. It's sooo romantic. She says “Fuck me”, he says nothing as usual, but his look has now changed from a coke hit to a stroke. And then he licks it. Oh, great. With the whole tongue, once across the face and the adjacent table leg. Luckily, the endless banter is filmed in super slow motion, so the torture...cinematic ecstasy lasts much, much longer. Suddenly he says... no, that's not true, he doesn't say anything. We only speak here in emergencies. Even if there's probably some kind of mafia plot being told, which I overlooked in all the constant fucking around. Unfortunately, I didn't understand who all these people were until the end. Well, of course it's stupid that I didn't see the first part, but it's also a little bit unusual that this sequel doesn't make any effort to give these characters any depth. Or to explain what is actually going on here. Is anything even going on? Well, it doesn't matter. The guys are supposed to be cute and the women are supposed to be persistent and stupid. And oh - they start slobbering on each other again 😍😍😍 ———— “365 Days - This Day” is like “Fifty Shades of Gray” for sexually frustrated amoebas like Dr. RTL2's summer question page is filmed as if the Netflix executive suite was personally shitting in your brain, in slow motion. Infuriatingly misogynistic, absurdly badly acted and of course at number 1 on the Netflix charts. When is there a power outage when you need one?
If I were in the mood to watch adult content, Netflix would definitely not be my first choice. The movie I stumbled upon was a total disaster, making me extremely uncomfortable, especially when children unexpectedly walked into the room. It was a messy experience that I strongly advise against. "365 Days" seems to be all about sex and trying to engage the audience solely on that basis. The sequel follows the same pattern, and both films are filled with excessive plot holes, acting issues, and seem to lack a meaningful storyline. It feels like they are veering towards the wrong direction, almost resembling pornography rather than a film with substance. Despite being somewhat enjoyable, these movies left me questioning why they were even made. I only watched the sequel because I had seen the first one and felt compelled to review both at the same time, even though I found them both to be quite terrible.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.
Five different criminals face imminent death after botching a job quite badly.
Kannan (Dileep) is the son of a fashion weaver Ayyapanashan (Babu Namboothiri). His father has sent him for fashion designing,but Kannan wants to make more money easier. His friends are Yesudas a.k.a Yesu (Lal),a goonda and Vasu (Kalabhavan Shajon).
Inspired by true events, two student actresses at Yale delve into dark competition in staging Strindberg's Miss Julie, pushing the envelope of Naturalist authenticity until they lose sight of reality. "Voyeur" explores the extremes of self-inflicted student perfectionism at an elite college through the lens of a dark comedy, asking the questions: How far will one go to reach authenticity? Can the theatre ever disappear completely and become life itself?