Świątynia Ukwiału

A child fishing in a puddle using bananas as bait catches a bigger fish than he can handle and flees with the giant fish in pursuit.

Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.

The bond between a father and a daughter is imperilled by matters that go unspoken and hurts that are slow to heal.

During a very hot summer, Emma (15) is doomed to boredom at her grandparents's house. She's dying for something to happen. At the edge of a pond, she hides to observe The Young Man. She develops a brief but intense obsession for this fantasized stranger.

Sometimes life starts after death for someone. Like for a little parasite, who walks with a rotting corpse of a dead dog around an old landfill. Trapped in his unpalatable body he tries to find love and friendship.

Blind evolution. Seemingly arbitrary stages of the evolution in black-and-white drawings on rough paper.

A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.

A line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.

Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.

Myia and Aristote live from gluglu hunting. These cloud-animals allow them to grow courgettes in the desert. One day, Myia falls in love with one of them …