Ander

Self Destructive Boys is a direct stare into masculine interaction as we follow three boys in their mid-twenties, António, Xavier and Miguel testing the limits of their sexual flexibility.

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

'SIGN' is a short film that tells, through vignettes, music, and sign language, the story of a relationship between Ben, a hearing man, and Aaron, who is deaf.

The eponymous garçonne or flapper is Monique Lerbier, an emancipated French woman who leaves home to escape a marriage of convenience to a man she does not love which her parents have forced on her. She then falls into all sorts of carnal temptations and artificial pleasures previously unknown to her. These include her being seduced into a lesbian love affair by a chanteuse.

Neukölln, a trendy district in Berlin. Living space is scarce here. Without surety, proof of credit worthiness and salary there is no chance at all now. Thies knows this game; he works for a real estate management company and watches that the rules are upheld - until he meets Bruno and Sonja. He provides the dissimilar siblings with a flat free of charge on the quiet. And enters into an affair with the brother. Step by step he becomes more deeply immersed in the secret of the "siblings". A Berlin film about a loner who gets caught up. About a couple with unclear residency status. About a city everyone wants to live in.

A gay couple faces personal challenges and society's expectations when their adopted son starts grade school and notices his family's unique dynamic.

Short film about the budding relationship between Leon and Felix, two people who meet unexpectedly and discover they share a lot in common.

An enthralling directorial debut by the phenomenal, biting columnist and broadcaster Chip Tsao. Three elementary school pals, separated during the post-Tiananmen wave of emigration, reunite after 20 years, only to find themselves in totally different places. When each of them gets involved in an unlikely and at times illicit romance, their disparate lives intertwine and take a dire turn. The simmering ennui of post-handover Hong Kong is insightfully captured in this original and hardhitting drama about love, deceit and betrayal.

"Olivia" captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress Julie and through this screen of love observes the tense romance between Julie and the other head of the school Cara in its final months.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.