Standing on the Shoulders of Kitties The Bubbles and the Shitrockers Story 2024 - Movies (Jan 20th)
A Quiet Place Day One 2024 - Movies (Jan 20th)
From Ally to Zacky 2024 - Movies (Jan 20th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Substance 2024 - Movies (Jan 20th)
The Outrun 2024 - Movies (Jan 20th)
Love Over Money 2024 - Movies (Jan 20th)
Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Jan 19th)
Surrounded by Spirits 2024 - Movies (Jan 19th)
A Nanny to Die For 2024 - Movies (Jan 19th)
Witness Underground 2024 - Movies (Jan 19th)
Laugh Proud 2024 - Movies (Jan 19th)
Admissions Granted 2024 - Movies (Jan 19th)
AI and the Future of Us An Oprah Winfrey Special 2024 - Movies (Jan 19th)
Australia The Wild Continent 2024 - Movies (Jan 19th)
My Argentine Heart 2025 - Movies (Jan 19th)
The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
Sight Unseen - (Jan 21st)
The Beat with Ari Melber - (Jan 21st)
Geordie Shore - (Jan 21st)
Deadline- White House - (Jan 20th)
24 Hours in Police Custody - (Jan 20th)
The Repair Shop on the Road - (Jan 20th)
Love Island- All Stars - (Jan 20th)
Murdoch Mysteries - (Jan 20th)
Forensic Factor- A New Era - (Jan 20th)
Katy Tur Reports - (Jan 20th)
Deal or No Deal - (Jan 20th)
Richard Osmans House of Games - (Jan 20th)
Panorama - (Jan 20th)
Outnumbered - (Jan 20th)
Hannity - (Jan 20th)
The Five - (Jan 20th)
Bargain-Loving Brits in the Sun - (Jan 20th)
PULISIC - (Jan 20th)
Junior Bake Off - (Jan 20th)
Wipeout - (Jan 20th)
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_This excerpt is from a review written by Omeleto curator Allen Tsai:_ Directed by Brett Cramer from a script co-written with actor Meg Cashel, this dramedy is sharply witty and deeply serious in its portrayal of a couple navigating the line between keeping the peace and keeping one’s integrity. The film has a perceptive thoughtfulness on all levels, balancing both the humor of an awkward situation with the doubts and uncertainties it ultimately reveals. The short is essentially a long scene that leans on dialogue to move its story forward, and the visuals keep the focus on the couple’s unspoken thoughts and emotions. The moody, burnished cinematography plays against the sometimes antic pace of the dialogue, and though there is little camera movement, the editing and shot composition make sure the audience never misses a micro-reaction or fleeting thought from the couple. Visually, the film is a master class in how the simplest elements of cinematic art can yield terrific storytelling when leveraged with great thought, clarity and intention. But the strength of the film is its precise writing and excellent performances. There’s great humor in how Anna and Tom dance around the truth in their desire to win over the priest, as well as how the archaic beliefs of some religions don’t reflect modern relationships. Actor Meg Cashel nails the perfect balance between comic neuroticism and sharply critical thought, asking provocative questions not just about religious dogma, but about how to balance individual truth with the larger partnership. As the situation escalates, Anna can’t help but explode in a torrent of thought — one that reveals the deeper, thornier truths between the couple. Both warmly empathetic and accessibly cerebral, “Together” is quietly thought-provoking, using its humor to examine not just the role of religious faith in modern life, but also how silencing our voices to make a partner happy can open up great fissures of division. Just like how the film’s seemingly modest scale belies its precise craftsmanship, a simple pared-down scene becomes a tour-de-force of great insight and deep melancholy, when deep truths come out and fates of people shift in a new direction, forming the emotional earthquakes that make up the plot twists of ordinary life.