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Registration of the fourth comedy special by the Dutch comedian Ronald Goedemondt, in which Goedemondt explores the theme conformism.
Theo Maassen is extraordiarily hard on Holland, but seems to see the fun of it. Met alle respect is his seventh solo programme. Just like in his other shows, Theo Massen combines his satirical view on our society with his daily life.
The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.
In the last theater show (1981) of the Dutch cabaret company Don Quishocking, the internal dispute is central. When George Groot returns from Pune, it appears that he has joined the Bhagwan movement. All group members deal with it in their own way, but it seems inevitable that the group members have grown apart.
With great pace, jokes and a good dose of self-mockery, the Moroccan comedian tells poignant stories taken from real life.
Registration of the second theatre program by the Dutch comedy duo Droog Brood (Bas Hoeflaak and Peter van de Witte). The show is a sum of apparently separate scenes that show the human struggle and the desire for affection. Misunderstandings and clumsiness determine our interactions with each other, while meanwhile there is always the consciousness that love will bring us the deepest happiness. But affection is always present. The characters in this show fail, but ultimately they find an answer in the simplicity of the moment.
The debut of this Dutch comedy duo. They won the Dutch Cameretten festival which a short (early) version of this show.
