夜の歌謡シリーズ　港町ブルース

The story of men devoted to the yakuza lifestyle and their struggles during a time of fading yakuza power.

A trio of teenage tarts try to earn money through shoplifting and prostitution scams and get into deep trouble.

Horai serves an 18 year sentence for killing a rival boss, but right before his release he is attacked.

A man must overcome many obstacles as he works his way through the dangerous crime world to the level of yakuza.

The story of a man who is a printer by day, a ruthless killer by night.

Nonaka Tetsugoro, a substitute for the Aoi group, held a flower party to celebrate the complete recovery of his boss. However, three rival bosses, trying to steal the Aoi's territory, made take-over plans in the shadows. The second in the two part Daimon series movies.

The story of Iwaki, a young brawler who becomes a professional criminal when he joins a Yakuza clan.

Former hitman Ginya Yabuki (Riki Takeuchi) left the mafia and split somewhat contentiously with his longtime former partner. Years later, that same ex-partner has emerged as the head of a very dangerous crime syndicate and Yabuki is forced to confront his former partner, which may start an all-out war within the Tokyo Mafia.

Ten years after his greatest triumph, Yabuki has lost the Mafia that was once his to rule. But when a young gangster comes to him for guidance, he discovers that the old rage still burns. It's time for Yabuki's final stand and one last blaze of glory!

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR