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David Aames has it all: wealth, good looks and gorgeous women on his arm. But just as he begins falling for the warmhearted Sofia, his face is horribly disfigured in a car accident. That's just the beginning of his troubles as the lines between illusion and reality, between life and death, are blurred.
John Gage loves Ruth West, but she marries his friend, Charles Grey. The young couple are apparently happy; a child is born to them. Suddenly Ruth discovers that her husband has been systematically robbing his employer. Threatened with imprisonment unless he refunds the money he has stolen, Grey is at his wits' end.
Hiding from the police in an alley, two crooks see, through a window, the dying miser entrust to the doctor the fortune he bequeaths to his erring son. They trail the doctor home, overpower him, and in their search for the money, terrify his wife and child.
At the assay office in town, Jim Bevins turned his gold into dollars, then sat into a game because he felt lucky, and broke the gambler. On the way home two observers of his luck held him up. Badly wounded, he contrived to reach the mine and died in his partner's arms. Dick Smith found the gambler's I.O.U. in his pocket
Out of the talk at the Sportsmen's Club arises a wager between the globe-trotter and his friend, who bets that he will not be able, within a fixed time, to find his way out of an isolated mountain location to which he will lead him.
Society miss Sally Raeburn is left penniless and is helped out by an older woman. The woman makes it clear that to repay her, Sally must marry wealth, so when the very well-heeled Lester comes to her village, Sally goes after him. Lester has been traveling incognito in the hopes that no one will discover him, so when Sally wins him she feels guilty and confesses that she knew who he was all along.
Voices of the City is a 1921 American silent crime drama film starring Leatrice Joy and Lon Chaney that was directed by Wallace Worsley. It is considered to be a lost film.
A young woman is framed and sent to prison for a crime she didn't commit. When she is released, she sets out to take her revenge on those responsible.
The second of Thomas Meighan's three 1927 vehicles, We're All Gamblers was also the first of two collaborations between Meighan and director James Cruze. Based on Lucky Sam McCarver, a play by Sidney Howard, the story concerns a refugee of the Lower East Side who rises to the uppermost rungs of the nightclub world, all for the sake of a "dame." Boxer Sam McCarver (Meighan) falls in love with society girl Carlotta Asche (Mariette Mische).
Young Frenchwoman Mathilde searches for the truth about her missing fiancé, lost during World War I, and learns many unexpected things along the way. The love of her life is gone. But she refuses to believe he's gone forever — and she needs to know for sure.
