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MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "Persuasion seems to be another typical case of book adaptations: anyone familiar with the original material will struggle to appreciate even the slightest change; those without previous knowledge of Jane Austen's novel might be able to enjoy the film for itself. As someone belonging to the latter group, I found myself surprisingly satisfied. Despite following all the narrative paths in the most predictable, cliche manner possible, Dakota Johnson's fabulous performance and some unexpectedly humorous interactions are enough to make the viewing rather pleasant. Far from being innovative or unique, but it still serves as a recommendation for fans of the genre." Rating: B-
There are two groups of viewers who profess to hate this movie, and I have some sympathy for one of those groups. The Jane Austen purists are furious about it (“furious purists” - say that three times quickly). The story has been updated — sort of. That is, we find modern language and expressions popping up here and there, but clearly it still takes place in the past. It possesses a modern sensibility but still resides in the past. There is more wit and humor in this version, and I am fine with that. And having Anne talk directly to the camera is something different for an Austen adaptation. I am usually not crazy about narration and voiceover, but again, it is witty and it works for me. If I feel like watching an adaptation closer to the original novel, there are the 1992 and 2007 versions to fall back on, after all. They will always be out there. Don’t get me wrong; there were one or two places where even I thought they had played too fast and loose with the characters: such as when Anne Elliot embarrasses her brother-in-law in front of a large gathering for dinner by saying he had been interested in marrying her before settling upon sister Mary. That seemed too mean-spirited for the character they were building and we came to know. So the Austen lovers are upset in the same way that historians were when most historical movies change history or the real life people involved. I get that feeling even if I don’t share it. The group I don’t sympathize with are the racists, aka the haters. They sometimes try to shield their racism by talking about “woke” culture, or whatever. But the simple fact that they can’t see past the race and skin color to the individuals’ performances is exactly why it is important to have non-whites playing some of these roles. Where are these hating snowflakes when talking about the thousands of movies over the decades where all roles were played by whites? Wait, what? That doesn’t offend them equally? Big surprise. It is a fine entry in the Austen adaptation collection. Do watch it without prejudice if you can.
A Javanese royal and half-Dutch woman fall in love as Indonesia rises to independence from colonial rule.
Melody Brooks, a sixth grader with cerebral palsy, has a quick wit and a sharp mind, but because she is non-verbal and uses a wheelchair, she is not given the same opportunities as her classmates. When a young educator notices her student's untapped potential and Melody starts to participate in mainstream education, Melody shows that what she has to say is more important than how she says it.
To restore his family's lost wealth, a young Boston lad stows away on a ship bound for the California Gold Rush. When their very proper butler gives chase, all roads lead to nonstop adventure, wild and woolly characters, and a lucky punch that leads to a bonanza of belly laughs!
Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.
When Letty Mason relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin, Beverly, she receives a surprisingly cold welcome from his wife, Cora. Soon tensions in the family and unwanted attention from a trio of suitors leave Letty increasingly disturbed.
Meet Dee Laytner and his half-Japanese partner, Ryo McLane, a pair of detectives from New York. Not only are these two always chasing down criminals, but Dee can't stop himself from trying to 'chase' Ryo. While on a trip to England, Dee hopes to make his feelings for Ryo known but uninvited guests and a string of murders gets in the way. The pair become involved in the local crime scene when Japanese Americans start turning up dead. Will Ryo be in danger?
When Ernest Shackleton is given the ship Endurance to reclaim the record for the furthest south expedition, his journey is cut short when his ship becomes trapped in the ice pack and begins to sink.
Thief Duke Anderson—just released from ten years in jail—takes up with his old girlfriend in her posh apartment block, and makes plans to rob the entire building. What he doesn't know is that his every move is being recorded on audio and video, although he is not the subject of any surveillance.
The world has finally managed to blow itself up and only Australia has been spared from nuclear destruction and a gigantic wave of radiation is floating in on the breezes. One American sub located in the Pacific has survived and is met with disdain by the Australians. The calculations of Australia's most renowned scientist says the country is doomed. However, one of his rivals says that he is wrong. He believes that a 1000 people can be relocated to the northern hemisphere, where his assumptions indicate the radiation levels may be lower. The American Captain is asked to take a mission to the north to determine which scientist is right.