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Fresh from recent screenings of Michael Powell's "Tales of Hoffmann" (1951) and "Bluebeard's Castle" (1963) I thought I'd give this a go... No, in no way can anyone claim that the singing is to the same standard of Norman Foster or Robert Rounseville, but there is one similarity. This is not an opera, it's a filmed interpretation of one - and it's aimed fairly and squarely at younger folks who would no more want to sit through two hours of Mozart sang in German than they'd volunteer for dental surgery. I think that's what makes this worth indulging a bit more. Recruiting the handsome Jack Wolfe (anyone else think he looks a little bit like Thomas Sangster) is guaranteed to turns some heads. He is the seventeen year old "Tim" who takes up his place at the famous Mozart school high in the Alps. He knows nobody and is armed only with the tiniest amount of confidence and a book given to him by his now deceased dad. He gets a distinctly frosty welcome from the musical snobs - including the professor "Lomgbow" (the sparingly used F. Murray Abraham) - in the place, but his roommate "Paolo" (Ellie Courtiour) proves to be OK and he makes friends with "Sophie" (Niamh McCormack) over some "Jackson 5" music on their headphones. What he also discovers is that his book opens a long forgotten secret passageway into the very land in which "The Magic Flute" is set. So long as he goes through at 3 o'clock each night, he will be able to live out the story with "Papageno" (Iwan Rheon), "Pamina" (Asha Banks) as they face the "Queen of the Night" (Sabine Devieilhe). To help defend himself, he has been given a flute and now he must learn to use it to best effect. Yes, it's the "Janet and John" version, and the English language obsession with rhyme can limit the power of the libretto at times, but this is still an engaging mix of modern teen/hormonal drama interspersed through some of the darker, funnier and more sinister elements of the original story. The score is rousing and the cast - especially Devieilhe - deliver the songs adequately enough, I'd say, to encourage anyone interested in the production to take it to another level - to see it on the stage even. It's not great, but it's a solid effort that might just make this marvellous form of entertainment become of interest to a new generation of Taylor Swift fans.
Princess Alise, Lucas and their royal woodland friends are going undercover on a secret spy adventure!
Shortly after the frenzied battle against the mononoke, Karakasa, the Medicine Seller returns to Ōoku. There, the aftermath of the previous incident has left its mark, causing a shift in the power dynamics inside the inner chambers. In his pursuit to defeat the mononoke, Medicine Seller delves deeper into the darkness that lurks within Ōoku, seeking to uncover the threefold truth of form, truth, and reason to confront the mononoke and resolve the crisis.
Deke Rivers is a delivery man who is discovered by publicist Glenda Markle and country-western musician Tex Warner who want to promote the talented newcomer to fame and fortune, giving him every break he deserves. Romantic complications arise as Susan, another singer in the group, offers him devoted admiration as Glenda leads him on with promises of a golden future.
A woman and her son enlist a motley crew of so-called spiritual experts to help rid their home of supernatural squatters.
This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."
Ichika is a high school musician who can enter a mysterious place called “SEKAI,” where she and her friends express their innermost emotions through music alongside Hatsune Miku. One day after giving a live performance, Ichika meets a new Miku that she has never seen before. No matter how hard this new Miku tries to sing, she struggles connecting with the hearts of her listeners. Miku must rely on the help of others to find a way to sing again.
A group of influencers in a famed Hollywood apartment building pursue their dreams of social media stardom. The residents of 1660 Vine confront questions of fame, influence, identity, and mental health. All the while, the residents update their followers through vlogs, gaming streams, makeup tutorials, TikTok dances, songs, and pranks, as they navigate their search for identity, discovering the difference between who they present themselves to be, and who they really are.
A small town teenager in the 1960s believes her dreams of becoming a famous singer will come true when her rock star idol gets stranded in town. But a leak in a nearby chemical plant that is believed to be causing mass mutations threatens to turn her dream into a nightmare.
Based on the classic tale of the Pied Piper, this Rock-Opera themed cartoon tells the tale of the 1960s small suburban town of Hamlin, which has been infested with rats. Sly, a Jimi-Hendrix styled guitarist, is hired to take care of the rats with his musical abilities, and is promised a Harley Davidson from the mayor as payment. When he gets cheated out of his payment, he then uses his music to lead the kids to a mountain.
Bad bank robber falls in love with granddaughter of miner he and his men planned to rob of gold, has change of heart.
Gridley is mining silver from an old Mexican mine and bringing it into the USA thru a passage into his worthless mine. Border guard Rogers suspects Gridley and finally finds the secret entrance to the Mexican mine. He sends Lee Madison for help only to have her captured by Gridley. Trigger brings help that takes care of Gridley's men and now Roy has to rescue Madison.