La vida que no es nuestra

Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the "Vatos Locos", and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a "home" for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his "carnal", Miklo.

A gangster, Nino, is in the Cash Money Brothers, making a million dollars every week selling crack. A cop, Scotty, discovers that the only way to infiltrate the gang is to become a dealer himself.

In a desperate attempt to reach Europe and crouched before an airstrip in Cameroon, a six-year-old boy and his older sister wait to sneak into the holds of an airplane. Not too far away, an environmental activist contemplates the terrible image of an elephant, dead and fangless. Not only do you have to fight against poaching, but you will also have to meet the problems of your newly arrived daughter from Spain. Thousands of kilometers to the north, in Melilla, a group of civil guards prepare to face the furious crowd of sub-Saharan people who have begun the assault on the fence. Three stories linked by a central theme, in which none of its protagonists know that their destinies are doomed to cross and that their lives will no longer be the same.

In this drama, undercover investigators are recruited from the streets to prevent arms smugglers from getting their weapons to street gangs.

Juan spends his days sad and helpless ever since his wife Angelica contracted COVID-19.

Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.

The story opens with Bica, a solvent abusing waif, trying in vain to evade the Romanian police with her infant brother in tow. Separated from her sibling she is taken to Germany, concealed in the trunk of a car. There she is trained as a thief, picking the pockets of strangers to fill those of her patron. One of her victims is the separated father of Milka, a brat with razor sharp tongue. From this unlikely start a friendship forms and Bica gets a glimpse into a world of material security, if not emotional closeness...

In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.

In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.

Pyongyang, DPRK: Two ex-child gymnasts find themselves working together as directors in charge of the production of "mass games" (aka mass gymnastics, a North Korean specialty). Their joint area of responsibility is the youngest children's performance. However the two directors have different personalities and priorities. Their co-operation is less than friction-free as the pressure leading up to the performance increases. The two find that they work no better together as adults than they did as children. However there is still a bit of a spark between them. Will they manage to finish the production in time for the grand opening in front of the country's Leader? Are the children up for the challenge? Will any romance come out of all this....