Los cimarrones

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?

Flavio, immersed in the sadness of nostalgia and regret, faces his daily loneliness, seeking solace in the solitary ritual of smoking a cigarette. Each puff becomes a journey back in time, an immersion in a parallel dimension that brings to light the moments shared with Alberto. The warmth of those hugs, the echo of shared laughter and the tears that bathed their cheeks become present, as if they had just happened. Every blurry image that surfaces, every fleeting glance that materializes and every whispered word that resonates reveal the fragile nature of human balance and the profound gravity of the choices that shaped their relationship. But in that very smoke lies a strange consolation, a sense of acceptance that begins to germinate in his heart. He accepts the end of the relationship, with all its painful consequences, and launches himself into a new future, leaving behind what has been and opening his arms to the unknown that awaits him.

Julia has just lost her life partner, Barby. Torn between her grief and a world that is crumbling without her, she strives to preserve the restaurant they built together and her bond with their son León. A relationship now threatened by a wilful grandmother and the return of an absent father.

The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

An electrician is trapped in a looping room and goes mad.

Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.

Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.

Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.

In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.

What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.