Twilight of the Gods

A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.

The German philosopher Friedrich Nietzsche and his Jewish companion Paul Ree meet a beautiful young Russian intellectual and draw her into a ménage-à-trois.

A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.

Friedrich Wilhelm Nietzsche never went to Russia – yet he was always fascinated by this mysterious country and wanted to visit it. This film gives him the possibility to do so after all. However, Nietzsche doesn’t arrive in 19th century Russia, but in a modern country which has been trying for years to create the civilization described by Nietzsche 150 years ago.

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

When God killed Man, it was God's suicide, When Man killed God, it was the birth of a new God.

My Friend Friedrich opens on awkward, bespectacled Columbia student Nate having a heart to heart on the phone with his mother. Then, in a philosophy class, he almost succeeds in landing a date by lobbing an illustrated invitation at his love interest, Emma. All goes awry when a taller, more confident, bespectacled Columbia student cuts him off at the knees. So far, so very New York student film, but a conceit arrives to distinguish this story of Ivy League dating woes: the ghost of Friedrich Nietzsche appears before Nate to guide him towards self-actualization.