The Ballad of Genesis and Lady Jaye

Dr Iain Stewart tells the story of how Earth works and how, over the course of 4.6 billion years, it came to be the remarkable place it is today.

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

After having released her fourth album "Red" in October 2012, Taylor Alison Swift continues to tear up the charts. In this film we learn how Swift becomes one of America's biggest Country and Pop music artists.

The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.

Do You Dream in Color? in this documentary follows four courageous blind high school students. This coming-of-age story see's the students as they strive to prove that their disability will not hold them back from achieving their dreams.

When reporter Jean Craddock interviews Bad Blake—an alcoholic, seen-better-days country music legend—they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son.

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

"Trouble the Water" takes you inside Hurricane Katrina in a way never before seen on screen. The film opens the day before the storm makes landfall-just blocks away from the French Quarter but far from the New Orleans that most tourists knew. Kimberly Rivers Roberts, an aspiring rap artist, is turning her new video camera on herself and her Ninth Ward neighbors trapped in the city. Weaving an insider's view of Katrina with a mix of verité and in-your-face filmmaking, it is a redemptive tale of self-described street hustlers who become heroes-two unforgettable people who survive the storm and then seize a chance for a new beginning.

The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.

Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, Chuck Close lives the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.