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What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

Several short animated mini-stories based on the short stories and four-panel manga of Keiko Fukuyama, including My Father the Mouse, The Rabbit Brothers, Summer Secret, The Mysterious Fairy, How Very Strange, and Kuro.

A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: THE BELL BOY (1918), THE BUTCHER BOY (1917), OUT WEST (1918), MOONSHINE (1918), and THE HAYSEED (1919). Volume One of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.

Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

Four comedic episodes framed within the story of a tyrannical Zen master and his two hapless disciples.

The people’s favorite husband-wife duo, Hira and Mani will be appearing together for the first time in Jin Mahal by Nabeel Qureshi. Pasoori by Marina Khan casts the never-before-seen on-screen couple, Sheheryar Munawar and Ramsha Khan in a frenzy of a story. Lastly, cinema Queen Mehwish Hayat will be appearing alongside the modern-day Pakistan heartthrob Wahaj Ali in his silver screen debut in Aik Sau Taeswaan joined by industry icon Zahid Ahmed who strikes a brooding figure alongside celebrated model and actress Amna Ilyas in Aik Sau Taeswaan by Nadeem Baig.

A film that foretells three modern-day ghost stories, set in the City of Hong Kong. The first segment deals with a popular singer that mysteriously falls into a deep coma, and the public is unaware that his spirit is detained by the ghost of an obsessed fan of his. His plea for help is only recognized by his nurse. In the second segment, four college girls are assigned an unusual project, and their selected-topic is to "interview" the ghost of the "Braided Woman." When they encounter the streets where the ghost was claimed to roam, they find themselves in a mist of terror. In the third segment, two night-duty police officers stumble upon a mysterious crisis when their speed-tracking camera detects a image of an old woman. After the woman's first sighting, the officers encounter her in every place they go, and their only solution is to find out what she wants.

Ten screenwriters collaborated on this series of tales concerning the effect a tailcoat cursed by its tailor has on those who wear it. The video release features a W.C. Fields segment not included in the original theatrical release.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.