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There's something of the Jack Palance in Gordon Mitchell's performance as the legendary "Achilles" living out the last of the ten years of the Trojan War. He is stiff, and wooden and succeeds in dragging down this otherwise colourful and competent historical drama to little better than a standard sword and sandals effort that looks good; has the scale and the costumes - but drags, frequently, during it's two hour rather wordy depiction. Even the rivalries between him and Agamemnon (an even more wooden Mario Petri) and the Trojan Hector (the best of the bunch by far in Jacques Bergerac) don't really catch fire. I may have blinked and missed it, but there is no sign of Helen at all! It is a shame, it has the makings of a better effort but the casting and irritating score just condemn it to lower medicrity.
In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.
Prince Paris of Troy, shipwrecked on a mission to the king of Sparta, meets and falls for Queen Helen before he knows who she is. Rudely received by the royal Greeks, he must flee...but fate and their mutual passions lead him to take Helen along. This gives the Greeks just the excuse they need for much-desired war.
With the loss of Patroclus (his undeclared male lover), Greek warrior Achilles returns to the Trojan War.
The ghost of a soldier from the Trojan War travels through the ruins of the ancient world to confront a council of tyrants who make war on reason. A film dramatizing the ancient relevance of protest over power. Available Now on: watch.eventive.org
In the aftermath of the Trojan Wars, Queen Hecuba takes stock of the defeated kingdom. Her son has been killed, and his widow, Andromache, is left to raise their son, Astyanax, alone. Hecuba's daughter, Cassandra, fears being enslaved by her Greek masters, while Helen of Troy risks being executed. Astyanax also becomes the focus of the Greeks' attention as the last male heir of the Trojan royal family.
Living in exile after the death of their father, the grown children of a murdered and usurped king converge to exact eye-for-an-eye revenge.
Trojan hero Aeneas battles to save his city from the Greeks, but once Troy falls, he leads the 600 survivors to Italy and founds the city of Rome.
The story of the Trojan war is one of history's most enduring legends. A beautiful queen elopes with a foreign prince, which results in a decade-long battle that ends in the complete annihilation of an entire city. However, what grain of truth is there to this mythologicale tale of love and destruction?
Maria Ewing, as Dido, heads an outstanding cast of young British singers in a film adaptation of Henry Purcell’s much-loved tragic opera. With spectacular sets, this intense tale of heroism, passion, betrayal and ultimate tragedy is played out against a backdrop of fiery rituals, evil spells and pageantry.
