തന്മാത്ര

A mother finds it hard to believe that her son is convicted as a terrorist and is sent to gallows. Eventually, she loses her mental balance.

Mari and Humi learn from their mother that their father has dementia on his 70th birthday. They help prepare their mother for his farewell and prepare themselves for the emotions to follow.

An aging actress experiencing early signs of Alzheimer's meets a suicidal young doctor who doesn't want to be a doctor.

It's every parent's nightmare. Your child needs you and you feel powerless to help. Whether it's that the child needs the necessary medical care, or needs you to protect them. What would you do to help your child?

Tomasz Komenda was 23 years old when his normal life was brutally interrupted. Overnight he was arrested, thrown into prison and charged with murder. Subsequent expert opinions confirmed his participation in the crime, and any evidence was against him. For nearly two decades in prison, he was beaten, intimidated, humiliated and on his own. Finally, after 18 years of imprisonment, prosecutors and a policeman appeared on his way, who decided to discover the truth behind the mysterious case of the detainee.

Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.

Witek runs after a train. Three variations follow on how such a seemingly banal incident could influence the rest of Witek's life.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

The Hartmann family is turned upside down when mother Angelika decides to take in the refugee Diallo, against her husband's will. Amidst the typical chaos of our time, hope remains that the family finds its stability, confidence and peace again - just like the whole country.

Elena, a Sicilian mother of three, is murdered by her husband. Her cousin, Roberto decides to take the three orphans into custody. Together with his wife, Anna, he takes charge of the maintenance of the three nephews, who join the other two children of the couple. The adaptation of the three children to the new reality is complex and conflicting. The backlash on the family budget is heavy. Roberto and his wife make do to ensure that the children are supported, trying not to let them know how their mother died.

The film, in Malayalam and made by the Indian film maker K P Kumaran, AkashaGopuram is set among the Indian immigrant community in London and tells the story of Albert Samson (Mohanlal), a middle-aged architect who has clawed his way to prominence.