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Ealing take on the Irish Troubles. Directed by Basil Dearden and adapted to screenplay from his own play by Roger MacDougal, The Gentle Gunman finds John Mills and Dirk Bogarde as brothers in the IRA circa 1941. Matt (Bogarde) is the young and hungry in the name of the cause brother, Terence (Mills) has grown tired of the violence and questions the IRA’s methods. This puts a strain on their relationship, whilst it also puts Terence on a collision course with the IRA superiors who brand him as a traitor. The Irish Troubles has never been an easy subject to broach in movies, the political stand point of the film makers invariably leaning towards bias. Whilst critics and reviewers have to battle with their own convictions when trying to stay firmly on the fence. The Gentle Gunman is an attempt at being an anti violence movie, one with a “gentle” pro British slant from that most British of film studios, Ealing. Unfortunately it’s tonally all over the place, awash with a mixed bunch of characters that range from apparent comic relief, to rabid Irish terrorists and a town crier like British bigot. Things are further put into the realm of the unbelievable by Mills and Bogarde trying to hold down Irish accents, a shame because without the fluctuation of the vocal chords the performances are rather good. It’s also a bit too stagey and the pace often drags itself into a stupor, making the adequate action scenes act more as a merciful release than anything truly exciting. On the plus side the film looks amazing at times, with Gordon Dines (The Blue Lamp) on cinematography dealing firmly in film noir filters. Which goes some way to explain how the film has come to be in a couple of reference books about British noir. But really it’s a marginal entry and all told it's just a routine drama from a Studio who were much better in other genre spheres. 6/10
A disgruntled ex-CIA operative, his assistant and their assembled group of terrorists seize a battleship with nuclear blackmail in mind. They've planned for every contingency but ignore the ship's cook, former Navy SEAL Casey Ryback—an error that could be fatal.
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
In the periphery of São Paulo, the pregnant single mother Cleuza works as maid in the apartment of a middle-class family. Each of her sons has a different unknown father: the oldest, Dênis, has a baby son that lives with his mother and he works as motorcycle courier.
During an historic counter-terrorism summit in Spain, the President of the United States is struck down by an assassin's bullet. Eight strangers have a perfect view of the kill, but what did they really see? As the minutes leading up to the fatal shot are replayed through the eyes of each eyewitness, the reality of the assassination takes shape.
Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help prevent crime.
Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?
Forrest Taft is an environmental agent who works for the Aegis Oil Company in Alaska. Aegis Oil's corrupt CEO is the kind of person who doesn't care whether or not oil spills into the ocean or onto the land—just as long as it's making money for him.
A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
Hidden at a desolate air base in a former Soviet Republic is an awesome weapon, the only working prototype of the MIG 35 "Firebomb" the Soviet stealth fighter/bomber. A mercenary assault team led by former Spetnatz Colonel Vlad Kotchov (J. Christian Ingvordsen) and the beautiful but deadly Nadia (Kelly Gleeson) assault the base and steal the black stealth plane. The navy has to convince Frank White (Frank Zagarino) to return to active duty so he can save the day.
A group of terrorists cause chaos in a small mexican city, now Mario, the town's mayor, and a special forces group must restore peace in the city.
Christina Fisher arrives in Sardinia to spend a holiday with her university friend, Francesco. As they are touring the island, they are trapped by mountain terrorists. Francesco is kidnapped, but Christina is permitted to leave. She is determined to contact the police, but is persuaded not to by Francesco's best friend, Gambino. Together they try to find the kidnappers, but she becomes suspicious of everyone including Gambino. Confused and paranoid, she sets out alone to contact the police.