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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
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Loved this movie. It's connected to "Rosemary's Baby" and shows us what happened before. Movie's great. If you loved "Rosemary's Baby", you will love this too. Also, no liberal propaganda and BS, which is another plus.
The problem with this pretty straightforward reimagining of "Rosemary's Baby" (1968) is that in the intervening half century, the story has been told and retold to such an extent that this really hasn't much potency any more. Julia Garner's "Terry" is a would-be dancer on Broadway who takes quite a terrible tumble that puts her out of action and sees her struggling to find work - or an home. That latter problem is solved when the elderly and kindly "Castavet" couple invite her to use an empty apartment in their building - the "Bamford". Intent on resurrecting her career, she is pursuing fellow-resident and producer "Marchand" (Jim Sturgess) with whom she starts to become romantically entangled. A night she barely recalls then some sudden bouts of sickness leads us all to an inevitable conclusion but something isn't sitting right for "Terry". The increasingly claustrophobic atmosphere in the building, the changing attitudes of her hosts "Minnie" (Dianne Wiest) and "Roman" (Kevin McNally) and a sense that something truly evil is afoot soon sends her into a spiral of paranoiac behaviour that pushes her to the brink! None of the acting is really up to much here nor is the writing and the all-important sense of menace is really quite weakly played out as the whole thing underwhelms. Sure, it's difficult to watch a remake and not anticipate what's going or supposed to happen, but all that really does here is beg the question - why make this at all? Wiest probably takes the acting plaudits - she does exude a certain sense of the downright manipulative, but the rest are going through the motions in a disappointing and procedural fashion. It's all perfectly watchable, but I probably wouldn't bother if I were you - if it ain't broke...
A young college student who’s struggling financially takes a strange babysitting job which coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger.
Two French journalists become embroiled in a criminal plot in New York City involving a disappeared United Nations diplomat.
All the rules are broken as a sect of lawless marauders decides that the annual Purge does not stop at daybreak and instead should never end as they chase a group of immigrants who they want to punish because of their harsh historical past.
As Father Severino Mallari, a 19th century priest during the Spanish occupation, descends into madness, his life and work as a parish priest in Pampanga is recounted, where he reportedly murdered 57 people to aid his ailing mother.
Four guys on a bachelor party get off the subway at a station that shut down in the 70's and, after watching a transit cop get brutally murdered, find themselves running for their lives beneath the streets of NY.
After a road accident in Hungary, the American honeymooners Joan and Peter and the enigmatic Dr. Werdegast find refuge in the house of the famed architect Hjalmar Poelzig, who shares a dark past with the doctor.
Coogan, an Arizona deputy sheriff goes to New York to pick up a prisoner. While escorting the prisoner to the airport, he escapes and Coogan heads into the city to recapture him.
In New York's 1880s newspaper district, a dedicated journalist manages to set up his own paper. It is an immediate success but attracts increasing opposition from one of the bigger papers and its newspaper heiress owner.
New York police are bemused by reports of a giant flying lizard that has been spotted around the rooftops of New York, until the lizard starts to eat people. An out-of-work ex-con is the only person who knows the location of the monster's nest and is determined to turn the knowledge to his advantage, but will his gamble pay off or will he end up as lizard food?
When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, young rookie Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.