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FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-son-spoiler-free-review-lff-2022 "The Son is an emotionally devastating film with a shocking yet important cautionary message for all parents. A gradually sadder, depressing, frustrating story that grips the audience through its tension-filled dialogue, but the lack of something new and impactful directly about those primarily affected by mental health issues could be an uncomfortable trigger for many viewers. Hugh Jackman stands out with one of the best performances of his career in a genuinely powerful, tear-inducing display. Florian Zeller's movie will get an understandably divisive reception, but I definitely consider it a must-watch flick." Rating: B+
Despite more experienced and lauded stars, this film only really belongs to the young Australian Zen McGrath in the title role. He is "Nicholas", a young man who lives with his divorcee mother (Laura Dern) while his father (Hugh Jackman) has a new family with "Beth" (Vanessa Kirby) and baby "Theo". His mother reaches the end of her tether when it transpires that the young man has been skipping school. She feels genuinely intimidated by him and so a move to dad's is soon on the cards. Settling in ok? Going to a new school? Well that's when we begin to spot signs that this lad has problems. Signs of self harm ring alarm bells and indicate a spiralling descent for "Nicholas" that perhaps only his father can arrest? The story is interesting, but the writing is frankly terrible and the acting from both Jackman and the always limited Dern is truly wooden. For such an emotive subject there is no sense of involvement; no personal touches - he is never to referred to as "Nick" or anything that might illustrate that there any intimate love here. It's all just a bit sterile with join-the-dot scenarios that accumulate towards an ending that serves no purpose at all. That's not to say it had to be all rose covered cottages, but the last twenty minutes really defy even the most devoted of parental logic before a rather abrupt denouement. It might offer a beginners guide to warning signs for parents, but otherwise this is a weakly constructed and frankly, rather implausible, drama that really disappoints.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
The family of a wealthy businessman gather to celebrate his 60th birthday. During the course of the party, his eldest son presents a speech that reveals a shocking secret.
A woman and her daughter struggle to make their way through the aftermath of the Balkan war.
The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.
An average, everyday metalworker and volunteer firefighter content in his marriage to his childhood sweetheart finds his emotions unexpectedly stirred when he falls for a pretty waitress from a nearby town.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.