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An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.
Rupert, the son of world-renowned artist Luther Milo, longs to create art of his own but is shackled by the need to care for his ailing father. Long-time friend and gallerist, Gab, suggests that the world has woken up to the fact it’s just two blobs on a canvas, and has simply become worthless. This prompts Rupert to consider all of his options – some less tasteful than others.
Trapped in their frames and monitored by a menacing curator, two paintings long to escape from the art gallery's white walls. As the paintings lock eyes across the room, an unspoken connection between them sets the stage for revolution. With a distinctive blend of live-action and animation, this short film by Evan Bode employs surreal metaphor to explore ideas about power, resistance, queer identity, visibility, and liberation from constructed borders.
In these uncertain, ever evolving and changing times, inspiration and entertainment come from equally bizarre places. People long for togetherness and one thing that always brings out the best in experiencing something together, is food. But what happens when you twist around some of the core ideas of enjoying food, and what “a meal” even means? What if you have a bizarre curiosity to see someone eat really weird food combinations, and actually have someone provide you with that? What if what you’re looking for isn’t comfort and relaxation, but something that will make you question what your self-isolation mind finds as entertainment?
The multi-talented outsider artist Richard McMahan is on a quest to painstakingly re-create thousands of famous and not-so-famous paintings and artifacts–in miniature.
Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.