Plant Heist

RHINO MAN follows the courageous field rangers who risk their lives every day to protect South Africa's rhinos from being poached to extinction.

First Nations fight to end grizzly bear trophy hunting in the Great Bear Rainforest in British Columbia. The Heiltsuk, Kitasoo Xai'xais and Gitga'at First Nations enforce a ban by using Coastal Guardian Watchmen, while the Raincoast Conservation Foundation purchases trophy hunting licenses in the area to prevent a hunt from taking place. The film offers unique access to Canada's First Nations and a breathtaking view of the majestic animals inhabiting the Great Bear Rainforest, including the elusive Spirit Bear.

Wildlife photographer Richard Sidey joins an international team of whale research scientists in Antarctica to document their work on how Humpback Whales are adapting to a changing ocean.

Inspired by the spirit of adventure of early explorers like St Brendan the Navigator, Irish underwater cameraman Ken O’Sullivan voyages out into the open North Atlantic in search of the great sea monsters described in the explorers’ early texts which may well have been large whales. Over the course of the film, such encounters reveal how enlightenment and awareness dispel the myths and damage of the darkness of our historic perceptions.

Sudan was someone Zacharia Mutai spent years with, someone he knew better than his own children, someone he loved. Sudan’s death was tragic, but not a surprise. Zacharia, the head rhino caregiver at the Ol Pejeta Conservancy in northern Kenya, was caring for one of the last remaining northern white rhinos on the planet. But this is not just the story of Zacharia’s loss or of the death of a rhino. This is the story of the death of a species. A loss of such magnitude is a loss for all of humanity. Without these creatures, we suffer more than just the loss of ecosystem health. We suffer a loss of imagination, a loss of wonder, a loss of beautiful possibilities.

Covenant of the Salmon People is a documentary portrait of the Nez Perce Tribe’s ancient covenant with salmon. The film follows their efforts to uphold this ancient relationship as dams and climate impacts threaten one of the cornerstones of their culture.

Although the mountain volcano Mauna Kea last erupted around 4,000 years ago, it is still hot today, the center of a burning controversy over whether its summit should be used for astronomical observatories or preserved as a cultural landscape sacred to the Hawaiian people. For five years the documentary production team Nā Maka o ka 'Āina ("the eyes of the land") captured on video the seasonal moods of Mauna Kea's unique 14,000-foot summit, the richly varied ecosystems that extend from sea level to alpine zone, the legends and stories that reveal the mountain's geologic and cultural history, and the political turbulence surrounding the efforts to protect the most significant temple in the islands: the mountain itself.

In a small rural town in Pennsylvania, the refuge of a rare salamander and the only source of clean drinking water for 700 people is threatened by the installation of a fracking waste injection well, prompting community members to band together to fight for the rights of their people and nature.

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

It was one of the greatest heists in British history. £3 million – worth over £40 million today – stolen from a moving train by a gang of thieves who almost got away with it.